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صنايع چوب و كاغذ - انواع چوب

صنايع چوب و كاغذ

اطلاعاتي در مورد چوب

چوب

از ویکی‌پدیا، دانشنامهٔ آزاد

پرش به: ناوبری, جستجو

چوب، از نظر گیاه‌شناسی، بخش جامد و سخت زیر پوست ساقه درخت یا دیگر گیاهان چوبی است که به شکل بافت آوندی وجود دارد.

گرچه در باور عموم چوب تنها در درخت و بوته یافت می‌شود، از نظر علمی‌در همه گیاهان آوندی وجود دارد. در چوب مجراهای زیر قابل مشاهده اس ت:

  1. بافت چوبی یا مجراهای چوبی، که شیره خام، آب و نمک‌های معدنی محلول را از ریشه به برگ‌ها و غنچه‌های هوایی می‌برد.
  2. آوند آبکشی یا مجراهای لیبر، که غذای آماده برای برگ‌ها (شیره تولیدی) به شکل محلول از طریق آنها برای تغذیه بقیه گیاه به گردش در می‌آید.

مجراهای چوبی به‌وسیله یاخته‌های مرده و دیواره‌های چوبی شده بوجود می‌آیند. در هر دو حال پروتوپلاسم سلولی پدیدار می‌گردد و دیوارها به‌وسیله ته‌نشین شدن ماده لیگنین (که سختی چوب از آن است) افزایش می‌یابند.

سطوح تار و آوندی در نخستین سال رشد خود را در فاصله‌ای معین در بافت میان آوندهای چوبی و آبکشی قرار می‌دهند، این لایه کامبیوم نامیده می‌شود. کامبیوم به دو بخش درونی (آوند چوبی) و بیرونی (آوند آبکشی) تقسیم می‌شود. همچنانکه سلولهای پیر با رشد پیوسته تنه فرو می‌ریزند، لایه‌های تازه آوند آبکشی کار خود را انجام می‌دهند.

چوب بی گمان یکی از بهترین و سودمندترین مواد خام طبیعت است و بی آن بشر هرگز به سطح پیشرفت و رفاه کنونی نمی‌رسید.

مقطع ساقهٔ یک گیاه کتان:
۱. مغز ساقه (Pith)‏
۲. چوب زودرس (Protoxylem)‏
۳. بافت چوبی (Xylem)‏
۴. بافت آبکش (Phloem)‏
۵. بافت سخت (Sclerenchyma)‏
۶. پوسته (Cortex)‏
۷. روپوست (Epidermis)

چوب ابتدا، ماده‌ای حیاتی برای ساخت ابزارهای اولیه، خانه و قایق برای حرکت در رودها بود. سپس، برای ساخت اکثر اشیا و ابزارهای سودمندی که انسان قرنها برای پیشرفت زندگی خود به آنها متکی بود، به کار رفت. بخشی از فناوری چوب بر اثر تلاش صنعتگران باقی مانده، ولی بیشتر آن ناچار از بین رفته و با مواد و روشهای دیگر که نتیجه انقلاب صنعتی بشر است، جایگزین شده‌است.

چوب تنها منبع طبیعی تجدیدپذیر است. نفت و زغال و دیگر معادن سرانجام روزی تمام خواهد شد، ولی جنگلی که خوب نگهداری شود (حتی گاه بدون نگهداری) بطور نامحدود به تولید چوب ادامه خواهد داد. چوب جایگاه برجسته‌ای در اقتصاد جهانی دارد. تولید سالانه چوب در جهان ۲۵۰۰ میلیون متر مکعب است. خواص فیزیکی و شیمیایی و نیز مکانیکی چوب آن را فعلاْ بی جانشین کرده‌است.

فهرست مندرجات

[نهفتن]

[ویرایش] چوب

چوب یکی از قدیمی ترین و ابتدایی ترین مصالح ساختمانی موجود در طبیعت است که بشر در طول تاریخ از آن بهره برده‌است. چوب تنها مصالح ساختمانی است که از منبع قابل تجدید بدست می‌آید و از مصالح خوبی برای مناطق زلزله خیز می‌باشد.

داریوش در فرمان بنیاد شهر شوش می‌گوید: «تخته و چوب یکا از گاندرا و کرمانیا آورده شد)». واژه (یکا) در زبان فارسی همان درخت جگ است که چوبی قهوه‌ای رنگ و سخت دارد. از این نقش برجسته قصر آپادانا در دوره هخامنشی آشکار می‌شود که چوب را برای استفاده کاربردی و تزئینی در دوران مادها نیز به کار می‌گرفتند. در قسمتی از این نقش برجسته یک درباری ماد در حال حمل یک صندلی چوبی مشاهده می‌شود که مربوط به سده پنجم پیش از میلاد است.

از جمله مهم‌ترین کاربردهای چوب، می‌توان به موارد زیر اشاره کرد: استفاده از چوب در ساخت مصنوعات چوبی

استفاده از چوب برای اعضای باربر

استفاده از چوب برای نماسازی و تزئین

استفاده از چوب برای کارهای کمکی در ساخت و ساز، مانند قالب سازی، چوب بست و...

نکته قابل توجه این است که در تعیین مشخصه‌های مکانیکی چوبها باید مواردی همچون جهت الیاف چوب، مقدار رطوبت، نوع چوب، محل رویش، پهنی دایره سالانه، درجه حرارت، تعداد گره‌های روی چوب، شرایط نمونه گیری، شرایط لحظه‌ای آزمایش و دستورالعمل آزمایشی را در نظر گرفت.

[ویرایش] مقدمه

چوب یک ماده ناهمگون است بنابراین مقاومت چوب در هر نقطه از آن متفاوت بوده و به خواص آن نقطه بستگی دارد. مقاومت کششی چوب در جهت عمود بر الیاف کمتر از آن در جهت الیاف می‌باشد. معمولاً چوب را به ندرت در جهت عمود بر الیاف تحت بار کششی قرار می‌دهند.

درباره مقاومت فشاری چوب، این مقاومت در امتداد تارها افزایش می‌یابد و هر چه چوب فشرده تر گردد، مقاومت آن افزایش می‌یابد. بیشترین مقاومت چوب در حالت متراکم و زمانی که حجمی حدود ۳/۱ حجم اولیه را داراست، به وجود می‌آید. گاهی اوقات در حالت متراکم چوب، می‌توانیم به ۱۰ برابر مقاومت فشاری در جهت عمود بر الیاف برسیم. مقاومت چوب در جهت مایل بر الیاف تقریباً برآیندی از مقاومت آن در دو جهت عمود بر هم است. جهت تأثیر نیرو در مقایسه با جهت الیاف سه حالت دارد:

  • نیرو در جهت الیاف (در امتداد محور درخت)
  • نیرو در جهت عمود بر الیاف
  • نیرو در جهتی که با جهت الیاف، ایجاد زاویه کند.
  • وسایل مورد نیاز جهت آزمایش:
  • کولیس
  • متر نواری
  • سه عدد چوب با ابعاد گوناگون
  • ترازو
  • گرمچال
  • دستگاه اندازه گیری مقاومت فشاری
  • دستگاه اندازه گیری مقاومت خمشی


[ویرایش] شرح روش آزمایش

در ابتدا ابعاد سه قطعه چوب (نمونه‌های آزمایش که باید فاقد ترک باشند) را توسط متر و کولیس اندازه گیری می‌کنیم. از متر برای اندازه گیری ابعادی که نمی‌توانیم با کولیس اندازه گیری کنیم، استفاده می‌کنیم. نتایج این مرحله از آزمایش به صورت زیر می‌باشد:

  • نمونه ۱ (کوچک): :مقطع: mm ۵۴٫۱ ۵۷ mm * ارتفاع : ۱۵۳ mm
  • نمونه ۲ (متوسط) :
مقطع : ۵۷ mm ۵۷ mm * ارتفاع : ۲۰۴ mm
  • نمونه ۳ (بزرگ) :
مقطع : ۵۴٫۲ mm * ۵۶ mm ارتفاع : ۶۵۲ mm

در این قسمت از چوب‌های نمونه ۱ و ۲ برای آزمایش مقاومت فشاری استفاده می‌کنیم. (باید دقت کنیم نمونه، بدون هر گونه ترک باشد.)

الف- آزمایش فشار در جهت موازی با الیاف:

نمونه ۲ را در امتداد الیاف تحت تست فشاری قرار می‌دهیم. نکته‌ای که وجود دارد این است که اگر نمونه چوب ما سالم باشد، باید با زاویه ۴۵ درجه در آن گسستگی رخ بدهد و هیچ گونه جدا شدگی نباید اتفاق بیافتد. نمونه مورد آزمایش ما، نیروی ۱۱۵٫۶ KN را تحمل کرد. نمونه مورد آزمایش پس از بارگزاری دچار جدا شدگی شده و در نتیجه نمونه ما ناسالم بوده و از این آزمایش رد می‌شود.

ب- آزمایش فشار در جهت عمود بر الیاف:

چوب نمونه ۱ را در جهت عمود بر امتداد الیاف در دستگاه سنجش مقاومت قرار می‌دهیم. باید دقت کنیم تا نمونه فاقد هر گونه ترک یا جدا شدگی باشد. به تدریج فشار را افزایش می‌دهیم و سرعت افزایش فشار را در نظر می‌گیریم. روند افزایش فشار تا فشار ۸۲ KN به طور تقریبی ثابت می‌ماند ولی بعد از این فشار، سرعت افزایش بار وارده بر چوی کم شده و عملاً چوب مورد آزمایش ما از نقطه تسلیم خود عبور کرده‌است. چوب در این حالت هم‌زمان با افزایش فشار، دچار لهیدگی می‌شود و در حقیقت از ۸۲ KN به بعد در اثر ایجاد لهیدگی، شاهد بار کاذب در دستگاه هستیم.

در عمل در هنگام کاربرد چوب به عنوان مصالح ساختمانی، بار وارده نباید ار بار مجاز که خود درصدی از حد جاری شدن می‌باشد بیشتر شود (نوعی ضریب اطمینان داریم). در این آزمایش جداشدگی ایجاد شده در نمونه، در جهت گره‌هایی است که قبلاً در داخل چوب وجود داشته‌است.

یکی از معایب چوب، گره‌های موجود در آن است. زیرا باعث به هم خوردگی و حتی انحراف در شیب الیاف می‌شوند که نتیجه آن کاهش مقاومت چوب است. نحوه توزیع و میزان و اندازه این گره‌ها در هر دو جهت درازا و پهنای مقطع چوب اهمیت دارد. سایر جدا شدگی‌ها در اثر محل و نحوه عمل آوری چوب، جنس چوب و اینکه از چه درختی است، می‌باشند.

ج- آزمایش مقاومت خمشی چوب:

چوب سوم با ابعاد استاندارد را در داخل دستگاه مربوطه قرار می‌دهیم. حال شروع به وارد کردن نیرو به چوب می‌کنیم. حال اگر نمونه چوب ما سالم باشد باید از وسط چوب یعنی محل اثر سومین تکیه گاه دستگاه به صورت عمود بر جهت الیاف شکسته شود و باید بین الیاف چوب فاصله‌ای نباشد.

با افزایش نیرو چوب مورد آزمایش تا ۱۰٫۵ KN را تحمل می‌کند اما بعد از آن شروع به شکستگی می‌کند. در این حالت شکستگی چوب با جداشدگی الیاف همراه است که این وضعیت از ویژگی‌های خوب و مطلوب برای چوب نیست. اگر نمونه ما سالم بود می‌بایست از وسط و به صورت عمودی و متقارن می‌شکست و عدد بدست آمده برای آن حدود ۲۰ KN می‌شد. در نتیجه نمونه ما از آزمایش مقاومت خمشی رد شد.

د- آزمایش تعیین درصد رطوبت چوب:

وقتی که چوب خشک باشد، از محیط اطراف رطوبت جذب می‌کند و چنانچه تر باشد، در محیط خشک از خود رطوبت دفع می‌کند. رطوبت چوب درختان زنده بین ۳۰ تا ۹۰ درصد متغیر می‌باشد. روش انجام آزمایش به این صورت است که ابتدا چوب‌ها را وزن می‌کنیم و مقادیر بدست آمده را ثبت می‌کنیم.

W۱ = ۲۲۵٫۲ gr
W۲ = ۱۷۲٫۷ gr

حال آنها را در داخل گرمچال در دمای ۸۰ درجه سانتی گراد قرار داده و بعد از ۲۴ و ۴۸ ساعت، مجدد آنها را وزن می‌کنیم. لازم به ذکر است که درصد رطوبت استاندارد برای آزمایشهای چوب ۱۲٪ می‌باشد. وزن نمونه‌ها بعد از ۲۴ ساعت:

W۱ = ۲۱۲٫۳ gr
W۲ = ۱۶۱٫۲ gr

وزن نمونه‌ها بعد از ۴۸ ساعت:

W۱ = ۲۰۸٫۹ gr
W۲ = ۱۵۸٫۶ gr

حال درصد رطوبت را از رابطه مقابل بدست می‌آوریم: u = ۱۰۰ * (M-m) / m u : درصد رطوبت M : جرم چوب مرطوب m : جرم چوب خشک درصدهای رطوبت بدست آمده به قرار زیر است: برای ۲۴ ساعت : u۱ = ۶٫۰۷ ٪ u۲ = ۷٫۱۳ ٪ برای ۴۸ ساعت: u۱ = ۷٫۸۰ ٪ u۲ = ۸٫۸۹ ٪ در نتیجه نمونه‌های ما، چوب‌هایی خشک بودند.

[ویرایش] منابع

کتاب چوبشناسی اثر دکتر حجازی

کتاب مکانیک چوب اثر دکتر قنبر ابراهیمی

wikipedia.org

[ویرایش] جستارهای وابسته

+ نوشته شده در  دوشنبه 28 اردیبهشت1388ساعت 12:3 بعد از ظهر  توسط  اسدي  | 

مشخصات كلي چوب

Wood

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Wood surface, showing several features

Wood is an organic material; in the strict sense it is produced as secondary xylem in the stems of trees (and other woody plants). In a living tree it conducts water and nutrients to the leaves and other growing tissues, and has a support function, enabling woody plants to reach large sizes or to stand up for themselves. However, wood may also refer to other plant materials with comparable properties, and to material engineered from wood, or wood chips or fiber.

People have used wood for millennia for many purposes, primarily as a fuel or as a construction material for making houses, tools, weapons, furniture, packaging, artworks, and paper. Wood can be dated by carbon dating and in some species by dendrochronology to make inferences about when a wooden object was created. The year-to-year variation in tree-ring widths and isotopic abundances gives clues to the prevailing climate at that time.[1]

محتويات[hide]

[edit] Formation

Wood, in the strict sense, is yielded by trees, which increase in diameter by the formation, between the existing wood and the inner bark, of new woody layers which envelop the entire stem, living branches, and roots. Technically this is known as secondary growth; it is the result of cell division in the vascular cambium, a lateral meristem, and subsequent expansion of the new cells.

[edit] Growth rings

Where there are clear seasons, growth can occur in a discrete annual or seasonal pattern, leading to growth rings; these can usually be most clearly seen on the end of a log, but are also visible on the other surfaces. If these seasons are annual these growth rings are referred to as annual rings. Where there is no seasonal difference growth rings are likely to be indistinct or absent.

If there are differences within a growth ring, then the part of a growth ring nearest the center of the tree, and formed early in the growing season when growth is rapid, is usually composed of wider elements. It is usually lighter in color than that near the outer portion of the ring, and is known as earlywood or springwood. The outer portion formed later in the season is then known as the latewood or summerwood.[2] However, there are major differences, depending on the kind of wood (see below).

[edit] Knots

A knot on a tree at the Garden of the Gods public park in Colorado Springs, Colorado (October 2006).

A knot is a particular type of imperfection in a piece of wood; it will affect the technical properties of the wood, usually for the worse, but may be exploited for artistic effect. In a longitudinally-sawn plank, a knot will appear as a roughly circular "solid" (usually darker) piece of wood around which the grain of the rest of the wood "flows" (parts and rejoins). Within a knot, the direction of the wood (grain direction) is up to 90 degrees different from the grain direction of the regular wood.

In the tree a knot is either the base of a side branch or a dormant bud. A knot (when the base of a side branch) is conical in shape (hence the roughly circular cross-section) with the tip at the point in stem diameter at which the plant's cambium was located when the branch formed as a bud.

During the development of a tree, the lower limbs often die, but may persist for a time, sometimes years. Subsequent layers of growth of the attaching stem are no longer intimately joined with the dead limb, but are grown around it. Hence, dead branches produce knots which are not attached, and likely to drop out after the tree has been sawn into boards.

In grading lumber and structural timber, knots are classified according to their form, size, soundness, and the firmness with which they are held in place. This firmness is affected by, among other factors, the length of time for which the branch was dead while the attaching stem continued to grow.

Knots materially affect cracking (known in the industry as checking) and warping, ease in working, and cleavability of timber. They are defects which weaken timber and lower its value for structural purposes where strength is an important consideration. The weakening effect is much more serious when timber is subjected to forces perpendicular to the grain and/or tension than where under load along the grain and/or compression. The extent to which knots affect the strength of a beam depends upon their position, size, number, and condition. A knot on the upper side is compressed, while one on the lower side is subjected to tension. If there is a season check in the knot, as is often the case, it will offer little resistance to this tensile stress. Small knots, however, may be located along the neutral plane of a beam and increase the strength by preventing longitudinal shearing. Knots in a board or plank are least injurious when they extend through it at right angles to its broadest surface. Knots which occur near the ends of a beam do not weaken it. Sound knots which occur in the central portion one-fourth the height of the beam from either edge are not serious defects.[3]

Knots do not necessarily influence the stiffness of structural timber, this will depend on the size and location. Stiffness and elastic strength are more dependent upon the sound wood than upon localized defects. The breaking strength is very susceptible to defects. Sound knots do not weaken wood when subject to compression parallel to the grain.

In some decorative applications, to add visual interest, wood with knots may be preferred.

The traditional style of playing the Basque xylophon txalaparta involves hitting the right knots to obtain different tones.

[edit] Heartwood and sapwood

A section of a Yew branch showing 27 annual growth rings, pale sapwood and dark heartwood, and pith (centre dark spot). The dark radial lines are small knots.

Heartwood is wood that has become more resistant to decay as a result of deposition of chemical substances (a genetically programmed process). Once heartwood formation is complete, the heartwood is dead. It appears in a cross-section as a usually colored circle, usually following the growth rings in shape. Heartwood may be much darker than living wood. However, other processes, such as decay, can discolor wood, even in woody plants that do not form heartwood, with a similar color difference, leading to confusion. Some uncertainty still exists as to whether heartwood is truly dead, as it can still chemically react to decay organisms, but only once (Shigo 1986, 54).

Sapwood is the younger, outermost wood; in the growing tree it is living wood, and its principal functions are to conduct water from the roots to the leaves and to store up and give back according to the season the reserves prepared in the leaves. However, by the time they become competent to conduct water, all xylem tracheids and vessels have lost their cytoplasm and the cells are therefore functionally dead. All wood in a tree is first formed as sapwood. The more leaves a tree bears and the more vigorous its growth, the larger the volume of sapwood required. Hence trees making rapid growth in the open have thicker sapwood for their size than trees of the same species growing in dense forests. Sometimes trees (of species that do form heartwood) grown in the open may become of considerable size, 30 cm or more in diameter, before any heartwood begins to form, for example, in second-growth hickory, or open-grown pines.

The term heartwood derives solely from its position and not from any vital importance to the tree. This is evidenced by the fact that a tree can thrive with its heart completely decayed. Some species begin to form heartwood very early in life, so having only a thin layer of live sapwood, while in others the change comes slowly. Thin sapwood is characteristic of such species as chestnut, black locust, mulberry, osage-orange, and sassafras, while in maple, ash, hickory, hackberry, beech, and pine, thick sapwood is the rule. Others never form heartwood.

There is no definite relation between the annual rings of growth and the amount of sapwood. Within the same species the cross-sectional area of the sapwood is very roughly proportional to the size of the crown of the tree. If the rings are narrow, more of them are required than where they are wide. As the tree gets larger, the sapwood must necessarily become thinner or increase materially in volume. Sapwood is thicker in the upper portion of the trunk of a tree than near the base, because the age and the diameter of the upper sections are less.

When a tree is very young it is covered with limbs almost, if not entirely, to the ground, but as it grows older some or all of them will eventually die and are either broken off or fall off. Subsequent growth of wood may completely conceal the stubs which will however remain as knots. No matter how smooth and clear a log is on the outside, it is more or less knotty near the middle. Consequently the sapwood of an old tree, and particularly of a forest-grown tree, will be freer from knots than the inner heartwood. Since in most uses of wood, knots are defects that weaken the timber and interfere with its ease of working and other properties, it follows that a given piece of sapwood, because of its position in the tree, may well be stronger than a piece of heartwood from the same tree.

It is remarkable that the inner heartwood of old trees remains as sound as it usually does, since in many cases it is hundreds of years, and in a few instances thousands of years, old. Every broken limb or root, or deep wound from fire, insects, or falling timber, may afford an entrance for decay, which, once started, may penetrate to all parts of the trunk. The larvae of many insects bore into the trees and their tunnels remain indefinitely as sources of weakness. Whatever advantages, however, that sapwood may have in this connection are due solely to its relative age and position.

If a tree grows all its life in the open and the conditions of soil and site remain unchanged, it will make its most rapid growth in youth, and gradually decline. The annual rings of growth are for many years quite wide, but later they become narrower and narrower. Since each succeeding ring is laid down on the outside of the wood previously formed, it follows that unless a tree materially increases its production of wood from year to year, the rings must necessarily become thinner as the trunk gets wider. As a tree reaches maturity its crown becomes more open and the annual wood production is lessened, thereby reducing still more the width of the growth rings. In the case of forest-grown trees so much depends upon the competition of the trees in their struggle for light and nourishment that periods of rapid and slow growth may alternate. Some trees, such as southern oaks, maintain the same width of ring for hundreds of years. Upon the whole, however, as a tree gets larger in diameter the width of the growth rings decreases.

Different pieces of wood cut from a large tree may differ decidedly, particularly if the tree is big and mature. In some trees, the wood laid on late in the life of a tree is softer, lighter, weaker, and more even-textured than that produced earlier, but in other trees, the reverse applies. This may or may not correspond to heartwood and sapwood. In a large log the sapwood, because of the time in the life of the tree when it was grown, may be inferior in hardness, strength, and toughness to equally sound heartwood from the same log. In a smaller tree, the reverse may be true.

[edit] Different woods

There is a strong relationship between the properties of wood and the properties of the particular tree that yielded it. For every tree species there is a range of density for the wood it yields. There is a rough correlation between density of a wood and its strength (mechanical properties). For example, while mahogany is a medium-dense hardwood which is excellent for fine furniture crafting, balsa is light, making it useful for model building. The densest wood may be black ironwood.

It is common to classify wood as either softwood or hardwood. The wood from conifers (e.g. pine) is called softwood, and the wood from dicotyledons (usually broad-leaved trees, e.g. oak) is called hardwood. These names are a bit misleading, as hardwoods are not necessarily hard, and softwoods are not necessarily soft. The well-known balsa (a hardwood) is actually softer than any commercial softwood. Conversely, some softwoods (e.g. yew) are harder than most hardwoods.

Engineered wood products have properties that usually differ from those of natural timbers (see below)

[edit] Colour

In species which show a distinct difference between heartwood and sapwood the natural colour of heartwood is usually darker than that of the sapwood, and very frequently the contrast is conspicuous (see section of yew log above). This is produced by deposits in the heartwood of chemical substances, so that a dramatic color difference does not mean a dramatic difference in the mechanical properties of heartwood and sapwood, although there may be a dramatic chemical difference.

Some experiments on very resinous Longleaf Pine specimens indicate an increase in strength, due to the resin which increases the strength when dry. Such resin-saturated heartwood is called "fat lighter". Structures built of fat lighter are almost impervious to rot and termites; however they are very flammable. Stumps of old longleaf pines are often dug, split into small pieces and sold as kindling for fires. Stumps thus dug may actually remain a century or more since being cut. Spruce impregnated with crude resin and dried is also greatly increased in strength thereby.

The wood of Coast Redwood is distinctively red in colour

Since the latewood of a growth ring is usually darker in colour than the earlywood, this fact may be used in judging the density, and therefore the hardness and strength of the material. This is particularly the case with coniferous woods. In ring-porous woods the vessels of the early wood not infrequently appear on a finished surface as darker than the denser latewood, though on cross sections of heartwood the reverse is commonly true. Except in the manner just stated the colour of wood is no indication of strength.

Abnormal discolouration of wood often denotes a diseased condition, indicating unsoundness. The black check in western hemlock is the result of insect attacks. The reddish-brown streaks so common in hickory and certain other woods are mostly the result of injury by birds. The discolouration is merely an indication of an injury, and in all probability does not of itself affect the properties of the wood. Certain rot-producing fungi impart to wood characteristic colours which thus become symptomatic of weakness; however an attractive effect known as spalting produced by this process is often considered a desirable characteristic. Ordinary sap-staining is due to fungous growth, but does not necessarily produce a weakening effect.

[edit] Structure

Wood is a heterogeneous, hygroscopic, cellular and anisotropic material. It is composed of cells, and the cell walls are composed of microfibrils of cellulose (40% – 50%) and hemicellulose (15% – 25%) impregnated with lignin (15% – 30%).[4]

Sections of tree trunk
A tree trunk as found at the Veluwe, The Netherlands

In coniferous or softwood species the wood cells are mostly of one kind, tracheids, and as a result the material is much more uniform in structure than that of most hardwoods. There are no vessels ("pores") in coniferous wood such as one sees so prominently in oak and ash, for example.

The structure of hardwoods is more complex.[5] The water conducting capability is mostly taken care of by vessels: in some cases (oak, chestnut, ash) these are quite large and distinct, in others (buckeye, poplar, willow) too small to be seen without a hand lens. In discussing such woods it is customary to divide them into two large classes, ring-porous and diffuse-porous. In ring-porous species, such as ash, black locust, catalpa, chestnut, elm, hickory, mulberry, and oak, the larger vessels or pores (as cross sections of vessels are called) are localized in the part of the growth ring formed in spring, thus forming a region of more or less open and porous tissue. The rest of the ring, produced in summer, is made up of smaller vessels and a much greater proportion of wood fibres. These fibres are the elements which give strength and toughness to wood, while the vessels are a source of weakness.

Magnified cross-section of Black Walnut, showing the vessels, rays (white lines) and annual rings: this is intermediate between diffuse-porous and ring-porous, with vessel size declining gradually

In diffuse-porous woods the pores are evenly-sized so that the water conducting capability is scattered throughout the growth ring instead of being collected in a band or row. Examples of this kind of wood are basswood, birch, buckeye, maple, poplar, and willow. Some species, such as walnut and cherry, are on the border between the two classes, forming an intermediate group.

[edit] Earlywood and latewood in softwood

earlywood and latewood in a softwood; radial view, growth rings closely spaced

In temperate softwoods there often is a marked difference between latewood and earlywood. The latewood will be denser than that formed early in the season. When examined under a microscope the cells of dense latewood are seen to be very thick-walled and with very small cell cavities, while those formed first in the season have thin walls and large cell cavities. The strength is in the walls, not the cavities. Hence the greater the proportion of latewood the greater the density and strength. In choosing a piece of pine where strength or stiffness is the important consideration, the principal thing to observe is the comparative amounts of earlywood and latewood. The width of ring is not nearly so important as the proportion and nature of the latewood in the ring.

If a heavy piece of pine is compared with a lightweight piece it will be seen at once that the heavier one contains a larger proportion of latewood than the other, and is therefore showing more clearly demarcated growth rings. In white pines there is not much contrast between the different parts of the ring, and as a result the wood is very uniform in texture and is easy to work. In hard pines, on the other hand, the latewood is very dense and is deep-colored, presenting a very decided contrast to the soft, straw-colored earlywood.

It is not only the proportion of latewood, but also its quality, that counts. In specimens that show a very large proportion of latewood it may be noticeably more porous and weigh considerably less than the latewood in pieces that contain but little. One can judge comparative density, and therefore to some extent strength, by visual inspection.

The twisty branch of a Lilac tree

No satisfactory explanation can as yet be given for the exact mechanisms determining the formation of earlywood and latewood. Several factors may be involved. In conifers, at least, rate of growth alone does not determine the proportion of the two portions of the ring, for in some cases the wood of slow growth is very hard and heavy, while in others the opposite is true. The quality of the site where the tree grows undoubtedly affects the character of the wood formed, though it is not possible to formulate a rule governing it. In general, however, it may be said that where strength or ease of working is essential, woods of moderate to slow growth should be chosen.

[edit] Earlywood and latewood in ring-porous woods

Earlywood and latewood in a ring-porous wood (ash); tangential view, wide growth rings

In ring-porous woods each season's growth is always well defined, because the large pores formed early in the season abut on the denser tissue of the year before.

In the case of the ring-porous hardwoods there seems to exist a pretty definite relation between the rate of growth of timber and its properties. This may be briefly summed up in the general statement that the more rapid the growth or the wider the rings of growth, the heavier, harder, stronger, and stiffer the wood. This, it must be remembered, applies only to ring-porous woods such as oak, ash, hickory, and others of the same group, and is, of course, subject to some exceptions and limitations.

In ring-porous woods of good growth it is usually the latewood in which the thick-walled, strength-giving fibers are most abundant. As the breadth of ring diminishes, this latewood is reduced so that very slow growth produces comparatively light, porous wood composed of thin-walled vessels and wood parenchyma. In good oak these large vessels of the earlywood occupy from 6 to 10 per cent of the volume of the log, while in inferior material they may make up 25 per cent or more. The latewood of good oak is dark colored and firm, and consists mostly of thick-walled fibers which form one-half or more of the wood. In inferior oak, this latewood is much reduced both in quantity and quality. Such variation is very largely the result of rate of growth.

Wide-ringed wood is often called "second-growth", because the growth of the young timber in open stands after the old trees have been removed is more rapid than in trees in a closed forest, and in the manufacture of articles where strength is an important consideration such "second-growth" hardwood material is preferred. This is particularly the case in the choice of hickory for handles and spokes. Here not only strength, but toughness and resilience are important. The results of a series of tests on hickory by the U.S. Forest Service show that:

"The work or shock-resisting ability is greatest in wide-ringed wood that has from 5 to 14 rings per inch (rings 1.8-5 mm thick), is fairly constant from 14 to 38 rings per inch (rings 0.7-1.8 mm thick), and decreases rapidly from 38 to 47 rings per inch (rings 0.5-0.7 mm thick). The strength at maximum load is not so great with the most rapid-growing wood; it is maximum with from 14 to 20 rings per inch (rings 1.3-1.8 mm thick), and again becomes less as the wood becomes more closely ringed. The natural deduction is that wood of first-class mechanical value shows from 5 to 20 rings per inch (rings 1.3-5 mm thick) and that slower growth yields poorer stock. Thus the inspector or buyer of hickory should discriminate against timber that has more than 20 rings per inch (rings less than 1.3 mm thick). Exceptions exist, however, in the case of normal growth upon dry situations, in which the slow-growing material may be strong and tough."[6]

The effect of rate of growth on the qualities of chestnut wood is summarized by the same authority as follows:

"When the rings are wide, the transition from spring wood to summer wood is gradual, while in the narrow rings the spring wood passes into summer wood abruptly. The width of the spring wood changes but little with the width of the annual ring, so that the narrowing or broadening of the annual ring is always at the expense of the summer wood. The narrow vessels of the summer wood make it richer in wood substance than the spring wood composed of wide vessels. Therefore, rapid-growing specimens with wide rings have more wood substance than slow-growing trees with narrow rings. Since the more the wood substance the greater the weight, and the greater the weight the stronger the wood, chestnuts with wide rings must have stronger wood than chestnuts with narrow rings. This agrees with the accepted view that sprouts (which always have wide rings) yield better and stronger wood than seedling chestnuts, which grow more slowly in diameter."[6]

[edit] Earlywood and latewood in diffuse-porous woods

In the diffuse-porous woods, the demarcation between rings is not always so clear and in some cases is almost (if not entirely) invisible to the unaided eye. Conversely, when there is a clear demarcation there may not be a noticeable difference in structure within the growth ring.

In diffuse-porous woods, as has been stated, the vessels or pores are even-sized, so that the water conducting capability is scattered throughout the ring instead of collected in the earlywood. The effect of rate of growth is, therefore, not the same as in the ring-porous woods, approaching more nearly the conditions in the conifers. In general it may be stated that such woods of medium growth afford stronger material than when very rapidly or very slowly grown. In many uses of wood, total strength is not the main consideration. If ease of working is prized, wood should be chosen with regard to its uniformity of texture and straightness of grain, which will in most cases occur when there is little contrast between the latewood of one season's growth and the earlywood of the next.

[edit] Monocot wood

Trunks of the Coconut palm, a monocot, in Java. From this perspective these look not much different from trunks of a dicot or conifer

Structural material that roughly (in its gross handling characteristics) resembles ordinary, 'dicot' or conifer wood is produced by a number of monocot plants, and these are also usually called wood. Of these, bamboo, botanically a member of the grass family, has considerable economic importance, larger culms being widely used as a building and construction material in their own right and, these days, in the manufacture of engineered flooring, panels and veneer. Another major plant group that produce material that often is called wood are the palms. Of much less importance are plants such as Pandanus, Dracaena and Cordyline. With all this material, the structure and composition of the structural material is quite different from ordinary wood.

[edit] Water content

The churches of Kizhi, Russia are among a handful of World Heritage Sites built entirely of wood, without metal joints.

Water occurs in living wood in three conditions, namely: (1) in the cell walls, (2) in the protoplasmic contents of the cells, and (3) as free water in the cell cavities and spaces. In heartwood it occurs only in the first and last forms. Wood that is thoroughly air-dried retains from 8-16% of water in the cell walls, and none, or practically none, in the other forms. Even oven-dried wood retains a small percentage of moisture, but for all except chemical purposes, may be considered absolutely dry.

The general effect of the water content upon the wood substance is to render it softer and more pliable. A similar effect of common observation is in the softening action of water on paper or cloth. Within certain limits, the greater the water content, the greater its softening effect.

Drying produces a decided increase in the strength of wood, particularly in small specimens. An extreme example is the case of a completely dry spruce block 5 cm in section, which will sustain a permanent load four times as great as that which a green (undried) block of the same size will support.

The greatest increase due to drying is in the ultimate crushing strength, and strength at elastic limit in endwise compression; these are followed by the modulus of rupture, and stress at elastic limit in cross-bending, while the modulus of elasticity is least affected.

[edit] Uses

[edit] Fuel

Wood has a long history of being used as fuel, which continues to this day, mostly in rural areas of the world. Hardwood is preferred over softwood because it creates less smoke and burns longer. Adding a woodstove or fireplace to a home is often felt to add ambiance and warmth.[7]

[edit] Construction

Wood can be cut into straight planks and made into a hardwood floor (parquetry).
The Saitta House, Dyker Heights, Brooklyn, New York built in 1899 is made of and decorated in wood.[8]

Wood has been an important construction material since humans began building shelters, houses and boats. Nearly all boats were made out of wood until the late 19th century, and wood remains in common use today in boat construction.

Wood to be used for construction work is commonly known as lumber in North America. Elsewhere, lumber usually refers to felled trees, and the word for sawn planks ready for use is timber.

New domestic housing in many parts of the world today is commonly made from timber-framed construction. Engineered wood products are becoming a bigger part of the construction industry. They may be used in both residential and commercial buildings as structural and aesthetic materials.

In buildings made of other materials, wood will still be found as a supporting material, especially in roof construction, in interior doors and their frames, and as exterior cladding.

Wood is also commonly used as shuttering material to form the mould into which concrete is poured during reinforced concrete construction.

[edit] Engineered wood

Wood used in construction includes products such as glued laminated timber (glulam), laminated veneer lumber (LVL), parallam and I-joists. On the one hand these allow the use of smaller pieces, and on the other hand allow bigger spans. They may also be selected for specific projects such as public swimming pools or ice rinks where the wood will not corrode in the presence of certain chemicals. These engineered wood products prove to be more environmentally friendly, and sometimes cheaper, than building materials such as steel or concrete.

Wood unsuitable for construction in its native form may be broken down mechanically (into fibres or chips) or chemically (into cellulose) and used as a raw material for other building materials such as chipboard, engineered wood, hardboard, medium-density fiberboard (MDF), oriented strand board (OSB). Such wood derivatives are widely used: wood fibers are an important component of most paper, and cellulose is used as a component of some synthetic materials. Wood derivatives can also be used for kinds of flooring, for example laminate flooring.

[edit] Next generation wood products

Further developments include new lignin glue applications, recyclable food packaging, rubber tire replacement applications, anti-bacterial medical agents, and high strength fabrics or composites. [9] As scientist and engineers further learn and develop new techniques to extract various components from wood, or alternatively to modify wood, for example by adding components to wood, new more advanced products will appear on the marketplace.

[edit] Furniture and utensils

Wood has always been used extensively for furniture. Also for tool handles and cutlery, such as chopsticks, toothpicks, and other utensils, like the wooden spoon.

[edit] In the arts

Artists can use wood to create delicate sculptures.

Wood has long been used as an artistic medium. It has been used to make sculptures and carvings for centuries. Examples include the totem poles carved by North American indigenous people from conifer trunks, often Western Red Cedar (Thuja plicata), and the Millenium clock tower [10], now housed in the National Museum of Scotland[11] in Edinburgh.

It is also used in woodcut printmaking, and for engraving.

Certain types of musical instruments, such as those of the violin family, the guitar, the clarinet and recorder, the xylophone, and the marimba, are made mostly or entirely of wood. The choice of wood may make a significant difference to the tone and resonant qualities of the instrument, and tonewoods have widely differing properties, ranging from the hard and dense (african blackwood used for the bodies of clarinets to the light but resonant European spruce (Picea abies)) traditionally used for the soundboards of violins. The most valuable tonewoods, such as the ripple sycamore (Acer pseudoplatanus), used for the backs of violins, combine acoustic properties with decorative colour and grain which enhance the appearance of the finished instrument.


[edit] See also

[edit]

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چوبشناسی

Abies amabilis Pacific Silver Fir

 

مشخصات برخی از سوزنی برگان

 

Pinus flexilis

Limber

 

 

Pine

Abies balsamea Balsam fir Pinus glabra Spruce Pine
Abies concolor White Fir Pinus jeffreyi Jeffrey Pine
Abies grandis Grand Fir Pinus lambertiana Sugar Pine
Abies lasiocarpa Subalpine Fir Pinus monticola Western White Pine
Abies magnifica California red fir Pinus palustris Longleaf Pine
Abies procera Noble Fir Pinus ponderosa Ponderosa Pine
Calocedrus decurrens

Chamaecyparis lawsoniana

Incense-Cedar

Port-Orford-Cedar

Pinus pungens Table Mountain Pine
Chamaecyparis nootkatensis Alaska-cedar Pinus radiata Monterey Pine
Chamaecyparis thyoides Atlantic white cedar Pinus resinosa Red Pine
Juniperus occidentalis Western Juniper Pinus rigida Pitch Pine
Juniperus silicicola Southern Redcedar Pinus serotina Pond Pine
Juniperus virginiana Eastern Redcedar Pinus strobus Eastern White Pine
Larix laricina Tamarack Pinus taeda Loblolly Pine
Larix occidentalis Western Larch Pinus virginiana Virginia Pine
Libocedrus decurrens Incense Cedar Pseudotsuga menziesii Douglas-fir
Picea engelmannii Engelmann Spruce Sequoia sempervirens Redwood
Picea glauca White Spruce Taxodium distichum Baldcypress
Picea mariana Black spruce Taxus brevifolia Pacific Yew
Picea rubens Red Spruce Thuja occidentalis Northern White Cedar
Picea sitchensis Sitka Spruce Thuja plicata Western Redcedar
Pinus banksiana Jack Pine Tsuga canadensis Eastern Hemlock
Pinus clausa Sand Pine Tsuga heterophylla Western Hemlock
Pinus contorta Lodgepole Pine Tsuga mertensiana Mountain Hemlock
Pinus echinata Shortleaf Pine
Pinus edulis Pinyon
Pinus elliottii Slash Pine

 

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چوبشناسی

 

مشخصات برخی از پهن برگان

 

Acer negundo

 

 

 

 

 

Boxelder

 

 

Mountain laurel
Acer pseudoplatanus Sycamore Liquidambar styraciflua Sweetgum
Acer spp. (Interactive) Maple Liriodendron tulipifera Tulip poplar
Aesculus octandra Yellow buckeye Lithocarpus densiflorus Tanoak
Ailanthus altissima Tree-of-heaven Maclura pomifera Osage orange
Alnus rubra Red alder Magnolia spp. Magnolia
Amelanchier spp. Serviceberry Magnolia virginiana(Interactive) Sweetbay
Arbutus spp. Madrone Malus sylvestris Apple
Avicennia spp. Black mangrove Nyssa spp. Tupelo
Betula spp. American birch Ostrya spp. Hophornbeam
Carpinus caroliniana American hornbeam Oxydendrum arboreum Sourwood
Carya spp. Hickory Platanus occidentalis Sycamore
Castanea dentata American chestnut Populus spp. Cottonwood
Castanopsis chrysophylla Giant chinkapin Populus spp. Aspen
Catalpa spp. Catalpa Prosopis spp. Mesquite
Celtis spp. Hackberry Prunus serotina Black cherry
Conocarpus erectus Buttonwood Quercus spp. Oak
Cornus florida Flowering dogwood Rhamnus spp. Buckthorn
Diospyros spp. Persimmon Rhus spp. Sumac
Fagus grandifolia American beech Robinia pseudoacacia Black locust
Fraxinus spp. Ash Salix nigra (Interactive) Black willow
Gleditsia triacanthos Honeylocust Sambucus spp. Elder
Gymnocladus dioicus Kentucky coffeetree Sassafras albidum Sassafras
Halesia spp. Silverbell Tilia americana American basswood
Hamamelis virginiana Witch hazel Tilia spp. European Lime
Ilex spp. Holly Ulmus spp. Elm
Juglans cinerea Butternut Umbellularia californica California laurel
Juglans nigra Black walnut

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اطلاعات عمومی چوب

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Please help improve this article with relevant internal links. (September 2007)

Wood drying or seasoning lumber or timber seasoning in the UK refers to reducing the moisture content of wood prior to its use. The two most important issues are 1) the level of moisture desirable and 2) the means to achieve this.

With regard to the level of moisture, for some purposes wood is not dried at all, prior to its use. It is used as is, "green". For other purposes wood must be in equilibrium with the outside air, as in much construction wood. For use indoors, as in furniture, wood must be in equilibrium with the air indoors.

With regard to the means used in drying a distinction is made between air-dried wood (AD) and kiln-dried wood (KD). There are many different types of kilns, as time used for drying is an economic factor, and new types of kiln are constantly being developed to reduce drying time.

Usually wood is sawn prior to drying, but this is not always so. As drying in the log takes a long time, especially for big logs, sawing prior to drying is the rule. If wood is to be kiln dried it will always be sawn first.

عنوان مطالب

[hide]

[edit]

 

ساختمان چوبWood is composed of cells, and is an anisotropic material. Commercial timbers are broadly classified into two categories, namely softwoods and hardwoods.

Softwoods are relatively simple in structure: more than 90% of the volume is composed of tracheids (Walker et al., 1993), axially elongate cells of 2 to 5 mm in length. Density will commonly be in the range of 350 to 700 kg/m³, basic density at 12% moisture content (Desch and Dinwoodie, 1996). Conversion and drying procedures for softwoods are better established than for hardwoods. A prime reason is that softwoods comprise the bulk of the wood used, and commercial plantings are mostly softwood. Research institutes in Europe and North America, also in New Zealand and Australia have devoted time to softwoods.

The processing of hardwoods is more complex because of diversity. There are up to a hundred times as many species of hardwood trees as there are softwoods, and hardwood trees grow in a much wider range of ecological niches than softwoods. Density of commercial hardwoods commonly is in the range of 450 to 1250 kg/m3 basic density at 12% moisture content (Desch and Dinwoodie, 1996). Hardwood may have low lateral permeability, compared with softwoods. For example, the transverse permeability of green wood from Eucalyptus delegatensis is in the order of 4.6x10-18 m², whereas the permeability of green wood of Pinus radiata is 263 to 410x10-18 m² (Langrish and Walker, 1993). Blackbutt (Eucalyptus pilularis) is a difficult to dry hardwood species (Bootle, 1994). Also the structure of hardwood shows a much greater range of variation than for softwood.

[edit]

رابطه آب وچوبThe timber of living trees and freshly felled logs contains a large amount of water, which often constitutes more weight than the actual wood. Water has a significant influence on wood: wood continually exchanges moisture (water) with its surroundings, although the rate of exchange is strongly affected by the degree wood is sealed.

Water in wood may be present in two forms:

1.     Free water: The bulk of water contained in the cell lumina is only held by capillary forces: it is not bound chemically and is termed free water. Free water is not in the same thermodynamic state as liquid water: energy is required to overcome the capillary forces. Furthermore, free water may contain chemicals, altering the drying characteristics.

2.     Bound or hygroscopic water: Bound water is bound to the wood via hydrogen bonds. The attraction of wood for water arises from the presence of free hydroxyl (OH) groups in the cellulose, hemicelluloses and lignin molecules in the cell wall. The hydroxyl groups are negatively charged electrically. Water is a polar liquid. The free hydroxyl groups in cellulose attract and hold water by hydrogen bonding.

Water in cell lumina may be in the form of water vapour, but the total amount is normally negligible, at normal temperatures and moisture contents.[citation needed]

[edit] درصد رطوبت چوب

The moisture content of wood is calculated by the formula (Siau, 1984):

(1.1)

Here, is the green mass of the wood, is its oven-dry mass (the attainment of constant mass generally after drying in an oven set at 103 +/- 2 °C for 24 hours as mentioned by Walker et al., 1993). This can also be expressed as a fraction of the mass of the water and the mass of the oven-dry wood rather than a percentage, for example, 0.59 kg/kg (oven dry basis) expresses the same moisture content as 59% (oven dry basis).

[edit] نقطه اشباع الیاف

When green wood dries, the first water to go is the free water from the cell lumina. It is held only by the capillary forces. Most physical properties, such as strength and shrinkage, are unaffected by the removal of free water. The fibre saturation point (FSP) is defined as the moisture content at which free water should be completely gone, while the cell walls are saturated with bound water. In most woods, the fibre saturation point is at 25 to 30% moisture content. Siau (1984) reported that the fibre saturation point (kg/kg) is dependent on the temperature T (°C) according to the following equation:

(1.2)

Keey et al. (2000) use a different definition of the fibre saturation point (equilibrium moisture content of wood in an environment of 99% relative humidity).

Many important properties of wood show a considerable change as the wood is dried below the fibre saturation point. These include:

1.     Volume: ideally no shrinkage occurs until some bound water is lost, i.e. until the wood is dried below FSP.

2.     Most strength properties show a consistent increase as the wood is dried below the FSP (Desch and Dinwoodie, 1996). An exception is impact bending strength and, in some cases toughness.

3.     Electrical resistivity increases very rapidly with the loss of bound water when the wood dries below the FSP.

[edit] رطوبت تعادلی چوب

Wood is a hygroscopic substance. It has the ability to take in or give off moisture in the form of vapour. The water contained in wood exerts a vapour pressure of its own, which is determined by the maximum size of the capillaries filled with water at any time. If the water vapour pressure in the ambient space is lower than the vapour pressure within wood, desorption takes place. The largest sized capillaries, which are full of water at the time, empty first. The vapour pressure within the wood falls as water is successively contained in smaller and smaller sized capillaries. A stage is eventually reached when the vapour pressure within the wood equals the vapour pressure in the ambient space above the wood, and further desorption ceases. The amount of moisture that remains in the wood at this stage is in equilibrium with the water vapour pressure in the ambient space, and is termed the equilibrium moisture content or EMC (Siau, 1984). Because of its hygroscopicity, wood tends to reach a moisture content that is in equilibrium with the relative humidity and temperature of the surrounding air. The EMC of wood varies with the ambient relative humidity (a function of temperature) significantly, to a lesser degree with the temperature. Siau (1984) reported that the EMC also varies very slightly with species, mechanical stress, drying history of wood, density, extractives content and the direction of sorption in which the moisture change takes place (i.e. adsorption or desorption).

[edit] رطوبت چوب هنگام بکارگیری

Wood retains its hygroscopic characteristics after it is put into use. It is then subjected to fluctuating humidity, the dominant factor in determining its EMC. These fluctuations may be more or less cyclical, such as diurnal changes or annual seasonal changes. In order to minimise the changes in wood moisture content or the movement of wooden objects in service, wood is usually dried to a moisture content that is close to the average EMC conditions to which it will be exposed. These conditions vary for interior uses compared with exterior uses in a given geographic location. For example, according to the Australian Standard for Timber Drying Quality (AS/NZS 4787, 2001), the EMC is recommended to be 10-12% for the majority of Australian states, although extreme cases may be up to 15 to 18% for some places in Queensland, Northern Territory, Western Australia and Tasmania. However, the EMC may be as low as 6 to 7% in dry centrally heated houses and offices or in permanently air-conditioned buildings.

The primary reason for drying wood to a moisture content equivalent to its mean EMC under use conditions is to minimise the dimensional changes (or movement) in the final product.

[edit] همکشیدگی و واکشیدگی 

Shrinkage and swelling may occur in wood when the moisture content is changed (Stamm, 1964). Shrinkage occurs as moisture content decreases, while swelling takes place when it increases. Volume change is not equal in all directions. The greatest dimensional change occurs in a direction tangential to the growth rings. Shrinkage from the pith outwards, or radially, is usually considerably less than tangential shrinkage, while longitudinal (along the grain) shrinkage is so slight as to be usually neglected. The longitudinal shrinkage is 0.1 to 0.3%, in contrast to transverse shrinkages, which is 2-10%. Tangential shrinkage is often about twice as great as in the radial direction, although in some species it may be as much as five times as great. The shrinkage is about 5 to 10% in the tangential direction and about 2 to 6% in the radial direction (Walker et al., 1993).

Differential transverse shrinkage of wood is related to:

1.     the alternation of late wood and early wood increments within the annual ring;

2.     the influence of wood rays in the radial direction (Kollmann and Cote, 1968)

3.     the features of the cell wall structure such as microfibril angle modifications and pits; and,

4.     the chemical composition of the middle lamella.

[edit] خشک کردن چوب

Wood drying may be described as the art of ensuring that gross dimensional changes through shrinkage are confined to the drying process. Ideally, wood is dried to that equilibrium moisture content as will later (in service) be attained by the wood. Thus, further dimensional change will be kept to a minimum.

It is probably impossible to completely eliminate movement in wood, but this may be approximated by chemical modification. This is the treatment of wood with chemicals to replace the hydroxyl groups with other hydrophobic functional groups of modifying agents (Stamm, 1964). Among all the existing processes, wood modification with acetic anhydride has considerable promise due to the high anti-shrink or anti-swell efficiency (ASE) attainable without damaging the wood properties. However, acetylation of wood has been slow to be commercialised due to the cost, corrosion and the entrapment of the acetic acid in wood. There is extensive literature relating to the chemical modification of wood (Rowell, 1983, 1991; Kumar, 1994; Haque, 1997).

Drying timber is one approach for adding value to sawn products from the primary wood processing industries. According to the Australian Forest and Wood Products Research and Development Corporation (FWPRDC), green sawn hardwood, which is sold at about $350 per cubic metre or less, increases in value to $2,000 per cubic metre or more with drying and processing. However, currently-used conventional drying processes often result in significant quality problems from cracks, both externally and internally, reducing the value of the product. As an example, in Queensland alone (Anon, 1997), assuming that 10% of the dried softwood is devalued by $200 per cubic metre because of drying defects, sawmillers are losing about $5 million per year in that State alone. Australia wide this could be $40 million per year for softwood and an equal or higher amount for hardwood. Thus proper drying under controlled conditions (prior to use) is of great importance in timber utilisation in any country, where climatic conditions vary considerably at different times of the year.

Drying, if carried out promptly after the felling of trees, also protects timber against primary decay, fungal stain and attack by certain kinds of insects. Organisms, which cause decay and stain, generally cannot thrive in timber with a moisture content below 20%. Several, though not all, insect pests can live only in green timber. Dried wood is less susceptible to decay than green wood (above 20% moisture content).

Apart from the above important advantages of drying timber, the following points are also significant (Walker et al., 1993; Desch and Dinwoodie, 1996):

1.     Dried timber is lighter, and hence the transportation and handling costs are reduced.

2.     Dried timber is stronger than green timber in most strength properties.

3.     Timbers for impregnation with preservatives have to be properly dried if proper penetration is to be accomplished, particularly in the case of oil-type preservatives.

4.     In the field of chemical modification of wood and wood products, the material should be dried to a certain moisture content for the appropriate reactions to occur.

5.     Dry wood works, machines, finishes and glues better than green timber. Paints and finishes last longer on dry timber.

6.     The electrical and thermal insulation properties of wood are improved by drying.

Prompt drying of wood immediately after felling therefore results in significant upgrading of, and value adding to, the raw timber. Drying enables substantial long term economy in timber utilisation by rationalising the utilisation of timber resources. The drying of wood is thus an area for research and development, which concerns many researchers and timber companies around the world.

[edit] چگونه جوب خشک میشود

Water in wood normally moves from zones of higher to zones of lower moisture content (Walker et al., 1993). In simple terms, this means that drying starts from the outside and moves towards the centre, and it also means that drying at the outside is also necessary to expel moisture from the inner zones of the wood. Wood, after a period of time, attains a moisture content in equilibrium with the surrounding air (the EMC, as mentioned earlier).

[edit] Mechanisms for moisture movement

[edit] Moisture passageways

The basic driving force for moisture movement is chemical potential. However, it is not always straightforward to relate chemical potential in wood to commonly observable variables, such as temperature and moisture content (Keey et al., 2000). Moisture in wood moves within the wood as liquid or vapour through several types of passageways depending on the nature of the driving force, (e.g. pressure or moisture gradient), and variations in wood structure (Langrish and Walker, 1993), as explained in the next section on driving forces for moisture movement. These pathways consist of cavities of the vessels, fibres, ray cells, pit chambers and their pit membrane openings, intercellular spaces and transitory cell wall passageways. Movement of water takes place in these passageways in any direction, longitudinally in the cells, as well as laterally from cell to cell until it reaches the lateral drying surfaces of the wood. The higher longitudinal permeability of sapwood of hardwood is generally caused by the presence of vessels. The lateral permeability and transverse flow is often very low in hardwoods. The vessels in hardwoods are sometimes blocked by the presence of tyloses and/or by secreting gums and resins in some other species, as mentioned earlier. The presence of gum veins, the formation of which is often a result of natural protective response of trees to injury, is commonly observed on the surface of sawn boards of most eucalypts. Despite the generally higher volume fraction of rays in hardwoods (typically 15% of wood volume), the rays are not particularly effective in radial flow, nor are the pits on the radial surfaces of fibres effective in tangential flow (Langrish and Walker, 1993).

[edit] Moisture movement space

The available space for air and moisture in wood depends on the density and porosity of wood. Porosity is the volume fraction of void space in a solid. The porosity is reported to be 1.2 to 4.6% of dry volume of wood cell wall (Siau, 1984). On the other hand, permeability is a measure of the ease with which fluids are transported through a porous solid under the influence of some driving forces, e.g. capillary pressure gradient or moisture gradient. It is clear that solids must be porous to be permeable, but it does not necessarily follow that all porous bodies are permeable. Permeability can only exist if the void spaces are interconnected by openings. For example, a hardwood may be permeable because there is intervessel pitting with openings in the membranes (Keey et al., 2000). If these membranes are occluded or encrusted, or if the pits are aspirated, the wood assumes a closed-cell structure and may be virtually impermeable. The density is also important for impermeable hardwoods because more cell-wall material is traversed per unit distance, which offers increased resistance to diffusion (Keey et al., 2000). Hence lighter woods, in general, dry more rapidly than do the heavier woods. The transport of fluids is often bulk flow (momentum transfer) for permeable softwoods at high temperature while diffusion occurs for impermeable hardwoods (Siau, 1984). These mechanisms are discussed below.

[edit] Driving forces for moisture movement

Three main driving forces used in different version of diffusion models are moisture content, the partial pressure of water vapour, and the chemical potential (Skaar, 1988; Keey et al., 2000). These are discussed here, including capillary action, which is a mechanism for free water transport in permeable softwoods. Total pressure difference is the driving force during wood vacuum drying.

[edit] Capillary action

Capillary forces determine the movements (or absence of movement) of free water. It is due to both adhesion and cohesion. Adhesion is the attraction between water to other substances and cohesion is the attraction of the molecules in water to each other.

As wood dries, evaporation of water from the surface sets up capillary forces that exert a pull on the free water in the zones of wood beneath the surfaces. When there is no longer any free water in the wood capillary forces are no longer of importance.

[edit] Moisture content differences

The chemical potential is explained here since it is the true driving force for the transport of water in both liquid and vapour phases in wood (Siau, 1984). The Gibbs free energy per mole of substance is usually expressed as the chemical potential (Skaar, 1988). The chemical potential of unsaturated air or wood below the fibre saturation point influences the drying of wood. Equilibrium will occur at the equilibrium moisture content (as defined earlier) of wood when the chemical potential of the wood becomes equal to that of the surrounding air. The chemical potential of sorbed water is a function of wood moisture content. Therefore, a gradient of wood moisture content (between surface and centre), or more specifically of activity, is accompanied by a gradient of chemical potential under isothermal conditions. Moisture will redistribute itself throughout the wood until the chemical potential is uniform throughout, resulting in a zero potential gradient at equilibrium (Skaar, 1988). The flux of moisture attempting to achieve the equilibrium state is assumed to be proportional to the difference in chemical potential, and inversely proportional to the path length over which the potential difference acts (Keey et al., 2000).

The gradient in chemical potential is related to the moisture content gradient as explained in above equations (Keey et al., 2000). The diffusion model using moisture content gradient as a driving force was applied successfully by Wu (1989) and Doe et al. (1994). Though the agreement between the moisture-content profiles predicted by the diffusion model based on moisture-content gradients is better at lower moisture contents than at higher ones, there is no evidence to suggest that there are significantly different moisture-transport mechanisms operating at higher moisture contents for this timber. Their observations are consistent with a transport process that is driven by the total concentration of water. The diffusion model is used for this thesis based on this empirical evidence that the moisture-content gradient is a driving force for drying this type of impermeable timber.

Differences in moisture content between the surface and the centre (gradient, the chemical potential difference between interface and bulk) move the bound water through the small passageways in the cell wall by diffusion. In comparison with capillary movement, diffusion is a slow process. Diffusion is the generally suggested mechanism for the drying of impermeable hardwoods (Keey et al., 2000). Furthermore, moisture migrates slowly due to the fact that extractives plug the small cell wall openings in the heartwood. This is why sapwood generally dries faster than heartwood under the same drying conditions.

[edit] Moisture movement directions for diffusion

It is reported that the ratio of the longitudinal to the transverse (radial and tangential) diffusion rates for wood ranges from about 100 at a moisture content of 5% to 2 to 4 at a moisture content of 25% (Langrish and Walker, 1993). Radial diffusion is somewhat faster than tangential diffusion. Although longitudinal diffusion is most rapid, it is of practical importance only when short pieces are dried. Generally the timber boards are much longer than in width or thickness. For example, a typical size of a green board used for this research was 6 m long, 250 mm in width and 43 mm in thickness. If the boards are quartersawn (sawing around the pith), then the width will be in the radial direction whereas the thickness will be in tangential direction, and vice versa for back-sawn (sawing through and through) boards. Most of the moisture is removed from wood by lateral movement during drying.

[edit] Reasons for splits and cracks during timber drying and their control

The chief difficulty experienced in the drying of timber is the tendency of its outer layers to dry out more rapidly than the interior ones. If these layers are allowed to dry much below the fibre saturation point while the interior is still saturated, stresses (called drying stresses) are set up because the shrinkage of the outer layers is restricted by the wet interior (Keey et al., 2000). Rupture in the wood tissues occurs, and consequently splits and cracks occur if these stresses across the grain exceed the strength across the grain (fibre to fibre bonding).

The successful control of drying defects in a drying process consists in maintaining a balance between the rate of evaporation of moisture from the surface and the rate of outward movement of moisture from the interior of the wood. The way in which drying can be controlled will now be explained.

[edit] Influence of temperature, relative humidity and rate of air circulation

The external drying conditions (temperature, relative humidity and air velocity) control the external boundary conditions for drying, and hence the drying rate, as well as affecting the rate of internal moisture movement. The drying rate is affected by external drying conditions (Walker et al., 1993; Keey et al., 2000), as will now be described.

Temperature: If the relative humidity is kept constant, the higher the temperature, the higher the drying rate. Temperature influences the drying rate by increasing the moisture holding capacity of the air, as well as by accelerating the diffusion rate of moisture through the wood. The actual temperature in a drying kiln is the dry-bulb temperature (usually denoted by Tg), which is the temperature of a vapour-gas mixture determined by inserting a thermometer with a dry bulb. On the other hand, the wet-bulb temperature (Tw) is defined as the temperature reached by a small amount of liquid evaporating in a large amount of an unsaturated air-vapour mixture. The temperature sensing element of this thermometer is kept moist with a porous fabric sleeve (cloth) usually put in a reservoir of clean water. A minimum air flow of 2 m/s is needed to prevent a zone of stagnant damp air formation around the sleeve (Walker et al., 1993). Since air passes over the wet sleeve, water is evaporated and cools the wet-bulb thermometer. The difference between the dry-bulb and wet-bulb temperatures, the wet-bulb depression, is used to determine the relative humidity from a standard hygrometric chart (Walker et al., 1993). A higher difference between the dry-bulb and wet-bulb temperatures indicates a lower relative humidity. For example, if the dry-bulb temperature is 100 °C and wet-bulb temperature 60 °C, then the relative humidity is read as 17% from a hygrometric chart.

Relative humidity: The relative humidity of air is defined as the partial pressure of water vapour divided by the saturated vapour pressure at the same temperature and total pressure (Siau, 1984). If the temperature is kept constant, lower relative humidities result in higher drying rates due to the increased moisture gradient in wood, resulting from the reduction of the moisture content in the surface layers when the relative humidity of air is reduced. The relative humidity is usually expressed on a percentage basis. For drying, the other essential parameter related to relative humidity is the absolute humidity, which is the mass of water vapour per unit mass of dry air (kg of water per kg of dry air). The following equation can be used to calculate the absolute humidity from the relative humidity (Strumillo and Kudra, 1986):

Air circulation rate: Drying time and timber quality depend on the air velocity and its uniform circulation. At a constant temperature and relative humidity, the highest possible drying rate is obtained by rapid circulation of air across the surface of wood, giving rapid removal of moisture evaporating from the wood. However, a higher drying rate is not always desirable, particularly for impermeable hardwoods, because higher drying rates develop greater stresses that may cause the timber to crack or distort. At very low fan speeds, less than 1 m s-1, the air flow through the stack is often laminar flow, and the heat transfer between the timber surface and the moving air stream is not particularly effective (Walker et al., 1993). The low effectiveness (externally) of heat transfer is not necessarily a problem if internal moisture movement is the key limitation to the movement of moisture, as it is for most hardwoods (Pordage and Langrish, 1999).

[edit] Classification of timbers for drying

The timbers are classified as follows according to their ease of drying and their proneness to drying degrade:

A. Highly refractory woods: These woods are slow and difficult to dry if the final product is to be free from defects, particularly cracks and splits. Examples are heavy structural timbers with high density such as ironbark (Eucalyptus paniculata), blackbutt (E. pilularis), southern blue gum (E. globulus) and brush box (Lophostemon cofertus). They require considerable protection and care against rapid drying conditions for the best results (Bootle, 1994).

B. Moderately refractory woods: These timbers show a moderate tendency to crack and split during seasoning. They can be seasoned free from defects with moderately rapid drying conditions (i.e. a maximum dry-bulb temperature of 85 °C can be used). Examples are Sydney blue gum (E. saligna) and other timbers of medium density (Bootle, 1994), which are potentially suitable for furniture.

C. Non-refractory woods: These woods can be rapidly seasoned to be free from defects even by applying high temperatures (dry-bulb temperatures of more than 100 °C) in industrial kilns. If not dried rapidly, they may develop discolouration (blue stain) and mould on the surface. Examples are softwoods and low density timbers such as Pinus radiata.

[edit] Methods of drying timber

Broadly, there are two methods by which timber can be dried: (i) natural drying or air drying, and (ii) artificial drying.

[edit] Air drying

Air drying is the drying of timber by exposing it to the air. The technique of air drying consists mainly of making a stack of sawn timber (with the layers of boards separated by stickers) on raised foundations, in a clean, cool, dry and shady place. Rate of drying largely depends on climatic conditions, and on the air movement (exposure to the wind). For successful air drying, a continuous and uniform flow of air throughout the pile of the timber needs to be arranged (Desch and Dinwoodie, 1996). The rate of loss of moisture can be controlled by coating the planks with any substance that is relatively impermeable to moisture; ordinary mineral oil is usually quite effective. Coating the ends of logs with oil or thick paint, improves their quality upon drying. Wrapping planks or logs in materials which will allow some movement of moisture, generally works very well provided the wood is first treated against fungal infection by coating in petrol/gasoline or oil. Mineral oil will generally not soak in more than 1-2 mm below the surface and is easily removed by planing when the timber is suitably dry.

[edit] Kiln drying

The process of kiln drying consists basically of introducing heat. This may be directly, using natural gas and/or electricity or indirectly, through steam-heated heat exchangers, although solar energy is also possible. In the process, deliberate control of temperature, relative humidity and air circulation is provided to give conditions at various stages (moisture contents or times) of drying the timber to achieve effective drying. For this purpose, the timber is stacked in chambers, called wood drying kilns, which are fitted with equipment for manipulation and control of the temperature and the relative humidity of the drying air and its circulation rate through the timber stack (Walker et al., 1993; Desch and Dinwoodie, 1996).

Kiln drying provides a means of overcoming the limitations imposed by erratic weather conditions. In kiln drying as in air drying, unsaturated air is used as the drying medium. Almost all commercial timbers of the world are dried in industrial kilns. A comparison of air drying, conventional kiln and solar drying is given below:

1.     Timber can be dried to any desired low moisture content by conventional or solar kiln drying, but in air drying, moisture contents of less than 18% are difficult to attain for most locations.

2.     The drying times are considerably less in conventional kiln drying than in solar kiln drying, followed by air drying.

1.     This means that if capital outlay is involved, this capital is just sitting there for a longer time when air drying is used. On the other hand, installing an industrial kiln, to say nothing of maintenance and operation, is expensive.

2.     In addition, wood that is being air dried takes up space, which could also cost money.

3.     In air drying, there is little control over the drying elements, so drying degrade cannot be controlled.

4.     The temperatures employed in kiln drying typically kill all the fungi and insects in the wood if a maximum dry-bulb temperature of above 60 °C is used for the drying schedule. This is not guaranteed in air drying.

5.     If air drying is done improperly (exposed to the sun), the rate of drying may be overly rapid in the dry summer months, causing cracking and splitting, and too slow during the cold winter months.

The significant advantages of conventional kiln drying include higher throughput and better control of the final moisture content. Conventional kiln and solar drying both enable wood to be dried to any moisture content regardless of weather conditions. For most large-scale drying operations solar and conventional kiln drying are more efficient than air drying.

Compartment-type kilns are most commonly used in timber companies. A compartment kiln is filled with a static batch of timber through which air is circulated. In these types of kiln, the timber remains stationary. The drying conditions are successively varied from time to time in such a way that the kilns provide control over the entire charge of timber being dried. This drying method is well suited to the needs of timber companies, which have to dry timbers of varied species and thickness, including refractory hardwoods that are more liable than other species to check and split.

The main elements of kiln drying are described below: a) Construction materials: The kiln chambers are generally built of brick masonry, or hollow cement-concrete slabs. Sheet metal or prefabricated aluminium in a double-walled construction with sandwiched thermal insulation, such as glass wool or polyurethane foams, are materials that are also used in some modern kilns. Some of the elements used in kiln construction. However, brick masonry chambers, with lime and (mortar) plaster on the inside and painted with impermeable coatings, are used widely and have been found to be satisfactory for many applications. b) Heating: Heating is usually carried out by steam heat exchangers and pipes of various configurations (e.g. plain, or finned (transverse or longitudinal) tubes) or by large flue pipes through which hot gases from a wood burning furnace are passed. Only occasionally is electricity or gas employed for heating. c) Humidification: Humidification is commonly accomplished by introducing live steam into the kiln through a steam spray pipe. In order to limit and control the humidity of the air when large quantities of moisture are being rapidly evaporated from the timber, there is normally a provision for ventilation of the chamber in all types of kilns. d) Air circulation: Air circulation is the means for carrying the heat to and the moisture away from all parts of a load. Forced circulation kilns are most common, where the air is circulated by means of fans or blowers, which may be installed outside the kiln chamber (external fan kiln) or inside it (internal fan kiln).

[edit] Kiln drying schedules

Satisfactory kiln drying can usually be accomplished by regulating the temperature and humidity of the circulating air to suit the state of the timber at any given time. This condition is achieved by applying kiln-drying schedules. The desired objective of an appropriate schedule is to ensure drying timber at the fastest possible rate without causing objectionable degrade. The following factors have a considerable bearing on the schedules.

1.     The species; because of the    variations in physical, mechanical and transport properties between species.

2.     The thickness of the timber; because the drying time is approximately inversely related to thickness and, to some extent, is also influenced by the width of the timber.

3.     Whether the timber boards are quarter-sawn, back-sawn or mixed-sawn; because sawing pattern influences the distortion due to shrinkage anisotropy.

4.     Permissible drying degrade; because aggressive drying schedules can cause timber to crack and distort.

5.     Intended use of timber; because the required appearance of the timber surface and the target final moisture contents are different depending on the uses of timber.

Considering each of the factors, no one schedule is necessarily appropriate, even for similar loads of the same species. This is why there is so much timber drying research, including this work, focused on the development of effective drying schedules.

[edit] Drying defects

Drying defects are the most common form of degrade in timber, next to natural problems such as knots (Desch and Dinwoodie, 1996). There are two broad categories of drying defects (some defects involve both causes):

·        defects that arise due to the shrinkage anisotropy. This leads to warping: cupping, bowing, twisting, spring and diamonding.

·        defects that arise due to uneven drying. This leads to the rupture of the wood tissue: checks (surface, end and internal), end splits, honey-combing and case-hardening. Another such defect is collapse, often seen as a corrugation, or "washboarding" of the wood surface (Innes, 1996). Collapse is a defect that results from the physical flattening of fibres, above the fibre saturation point (thus not a form of shrinkage anisotropy).

Australian and New Zealand Standard Organisations (AS/NZS 4787, 2001) have developed a standard for timber quality. Their five criteria for measuring drying quality:

1.     moisture content gradient and presence of residual drying stress (case-hardening);

2.     surface, internal and end checks;

3.     collapse;

4.     distortions;

5.     and discolouration caused by drying.

This standard also indicates how to assess each of these drying quality criteria and provides a classification to express drying quality.

[edit] References

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·        Strumillo, C. and Kudra, T. (1986). Drying: Principles, Applications and Design. Gordon and Breach Science Publishers, New York. 448p.

·        Walker, J.C.F., Butterfield, B.G., Langrish, T.A.G., Harris, J.M. and Uprichard, J.M. (1993). Primary Wood Processing. Chapman and Hall, London. 595p.

·        Wise, L.E. and Jahn, E.C. (1952). Wood Chemistry. Vol 2. Reinhold Publishing Corp., New York. 1343p.

·        Wu, Q. (1989). An Investigation of Some Problems in Drying of Tasmanian Eucalypt Timbers. M.Eng. Sc. Thesis, University of Tasmania. 237p.

[edit] Related Journal

 

 

+ نوشته شده در  یکشنبه 23 دی1386ساعت 5:16 بعد از ظهر  توسط  اسدي  | 

رطوبت تعادلی چوب

 

رطوبت تعادلی چوب

 

The table below provides EMC values for a fairly representative range of atmospheric conditions that wood is likely to be exposed to.  Values in this table are applicable to wood of any species for most practical purposes.

Relative Humidity %

Ambient Air Temperature - degrees Fahrenheit

0

30

40

50

60

70

80

90

100

110

120

130

5

1.4

1.4

1.4

1.3

1.3

1.3

1.2

1.2

1.1

1.1

1.0

10

2.6

2.6

2.6

2.5

2.5

2.4

2.3

2.3

2.2

2.1

2.0

15

3.7

3.7

3.6

3.6

3.5

3.5

3.4

3.3

3.2

3.0

2.9

20

4.6

4.6

4.6

4.6

4.5

4.4

4.3

4.2

3.0

3.9

3.7

25

5.5

5.5

5.5

5.4

5.4

5.3

5.1

5.0

4.9

4.7

4.5

30

6.3

6.3

6.3

6.2

6.2

6.1

5.9

5.8

5.6

5.4

5.2

35

7.1

7.1

7.1

7.0

6.9

6.8

6.7

6.5

6.3

6.1

5.9

40

7.9

7.9

7.9

7.8

7.7

7.6

7.4

7.2

7.0

6.8

6.6

45

8.7

8.7

8.7

8.6

8.5

8.3

8.1

7.9

7.7

7.5

7.2

50

9.5

9.5

9.5

9.4

9.2

9.1

8.9

8.7

8.4

8.2

7.9

55

10.4

10.4

10.3

10.2

10.1

9.9

9.7

9.5

9.2

8.9

8.7

60

11.3

11.3

11.2

11.1

11.0

10.8

10.5

10.3

10.0

9.7

9.4

65

12.4

12.3

12.3

12.1

12.0

11.7

11.5

11.2

11.0

10.6

10.3

70

13.5

13.5

13.4

13.3

13.1

12.9

12.6

12.3

12.0

11.7

11.3

75

14.9

14.9

14.8

14.6

14.4

14.2

13.9

13.6

13.2

12.9

12.5

80

16.5

16.5

16.4

16.2

16.0

15.7

15.4

15.1

14.7

14.4

14.0

85

18.5

18.5

18.4

18.2

17.9

17.7

17.3

17.0

16.6

16.2

15.8

90

21.0

21.0

20.9

20.7

20.5

20.2

19.8

19.5

19.1

18.6

18.2

95

24.3

24.3

24.3

24.1

23.9

23.6

23.3

22.9

22.4

22.0

21.5

98

26.9

26.9

26.9

26.8

26.6

26.3

26.0

25.6

25.2

24.7

24.2

 

+ نوشته شده در  یکشنبه 23 دی1386ساعت 4:49 بعد از ظهر  توسط  اسدي  | 

علوم جنگل

قانون‌ حفاظت‌ و بهره‌برداري‌ از جنگل‌ها و مراتع‌ با اصلاحات‌ بعدي‌
(مصوب‌30 /5/1346)

فصل‌ اول‌ - تعاريف‌

ماده‌ 1 - تعريف‌ اصطلاحاتي‌ كه‌ در قوانين‌ جنگل‌ و مرتع‌ بكار رفته‌ به‌ شرح‌ زير است‌:

جنگل‌ يا مرتع‌ يا بيشه‌ طبيعي‌ عبارت‌ از جنگل‌ يا مرتع‌ يا بيشه‌اي‌ است‌ كه‌ به‌ وسيله‌ اشخاص‌ايجاد نشده‌ باشد.

2ـ بوته‌ جنگلي‌ - رستني‌هاي‌ خودروي‌ و خشبي‌ كه‌ ساقه‌ آنها به‌ طور طبيعي‌ كمي‌ بالاتر از سطح‌خاك‌ منشعب‌ شده‌ باشد و نوعا در جنگل‌ها يا اراضي‌ جنگلي‌ يا بيشه‌ها مي‌رويد.

3ـ بوته‌ كويري‌ - كليه‌ نباتات‌ خودروي‌ چندساله‌ به‌ جز درخت‌ كه‌ در كوير و بيابان‌ مي‌رويد بوته‌كويري‌ ناميده‌ مي‌شود.

4ـ كنده‌ - آن‌ قسمت‌ از تنه‌ درخت‌ كه‌ پس‌ از قطع‌ يا شكسته‌ شدن‌ يا سوختن‌ در زمين‌ باقي‌ بماندكنده‌ ناميده‌ مي‌شود.

5ـ نهال‌ - درخت‌ جواني‌ است‌ كه‌ داراي‌ ساقه‌ مشخصي‌ بوده‌ و قطرين‌ آن‌ كمتر از پنج‌ سانتيمترو در مورد شمشاد قطرين‌ كمتر از سه‌ سانتيمتر باشد.

6ـ اراضي‌ جنگلي‌:

الف‌ - زمين‌هايي‌ كه‌ در آنها آثار و شواهد وجود جنگل‌ از قبيل‌ نهال‌ يا پاجوش‌ يا بوته‌ يا كنده‌درختان‌ جنگلي‌ وجود داشته‌ باشد مشروط بر آنكه‌ در تاريخ‌ ملي‌ شدن‌ جنگل‌ها (27/10/1341)تحت‌ كشت‌ يا آيش‌ نبوده‌ و تعداد كنده‌ در هر هكتار از بيست‌ و يا تعداد نهال‌ يا بوته‌ جنگلي‌ در هرهكتار جداگانه‌ يا مجموعا از يك‌ صد عدد و يا مجموع‌ تعداد نهال‌ و بوته‌ و كنده‌ در هر هكتار از يك‌صد عدد متجاوز باشد.

ب‌ - زمين‌هايي‌ كه‌ در آنها درختان‌ خودروي‌ جنگلي‌ به‌طور پراكنده‌ وجود داشته‌ باشد و حجم‌درختان‌ موجود در شمال‌ از حوزه‌ آستارا تا حوزه‌ گليداغي‌ در هر هكتار كمتر از پنجاه‌ متر مكعب‌ و در ساير مناطق‌ ايران‌ كمتر از بيست‌ متر مكعب‌ باشد مشروط بر آنكه‌ در تاريخ‌ ملي‌ شدن‌ جنگل‌هاتحت‌ كشت‌ يا آيش‌ نبوده‌ باشد.

تبصره‌ - اگر در اراضي‌ بند ب‌ درختان‌ شمشاد وجود داشته‌ باشد و حجم‌ آنها بيش‌ از سي‌ مترمكعب‌ در هكتار باشد اين‌ قبيل‌ اراضي‌ مشمول‌ اراضي‌ جنگلي‌ نبوده‌ و جنگل‌ شمشاد محسوب‌مي‌گردد.

مراتع‌ - اعم‌ است‌ از مشجر و غيرمشجر.

مرتع‌ مشجر - اگر مرتع‌ داراي‌ درختان‌ جنگلي‌ خودرو باشد مرتع‌ مشجر ناميده‌ مي‌شودمشروط بر آنكه‌ حجم‌ درختان‌ موجود در هر هكتار در شمال‌ از حوزه‌ آستارا تا حوزه‌ گليداغي‌ بيش‌از پنجاه‌ متر مكعب‌ و در ساير مناطق‌ ايران‌ بيش‌ از بيست‌ متر مكعب‌ باشد.

مرتع‌ غيرمشجر - زميني‌ است‌ اعم‌ از كوه‌ و دامنه‌ يا زمين‌ مسطح‌ كه‌ در فصل‌ چرا داراي‌پوششي‌ از نباتات‌ علوفه‌اي‌ خودرو بوده‌ و با توجه‌ به‌ سابقه‌ چرا عرفا مرتع‌ شناخته‌ شود. اراضي‌ كه‌آيش‌ زراعتند ولو آنكه‌ داراي‌ پوشش‌ نباتات‌ علوفه‌اي‌ خودرو باشند مشمول‌ تعريف‌ مرتع‌ نيستند.

تبصره‌ - آن‌ قسمت‌ از اراضي‌ ماسه‌اي‌ ساحلي‌ دريا تا حدود سيصد متر از حريم‌ دريا مشروط برآنكه‌ از جاده‌ ساحلي‌ تجاوز نكند ولو آنكه‌ واجد شرايط فوق‌ باشد مشمول‌ تعريف‌ اراضي‌ جنگلي‌ ومرتع‌ (مشجر يا غيرمشجر) نخواهد بود.

10ـ توده‌ جنگلي‌ - قطعات‌ مجزايي‌ از جنگل‌ يا مرتع‌ مشجري‌ است‌ كه‌ وسعت‌ سطح‌ آن‌ كمتراز ده‌ هكتار و حجم‌ درختان‌ جنگلي‌ موجود بيش‌ ازسيصد متر مكعب‌ در هكتار باشد.

11ـ باغ‌ - در مناطق‌ جنگلي‌ باغ‌ به‌ محلي‌ اطلاق‌ مي‌شود كه‌ داراي‌ شرايط زير باشد:
الف‌ - حدود آن‌ به‌ نحوي‌ از انحا مشخص‌ و معين‌ شده‌ باشد.

ب‌ - حجم‌ درختان‌ جنگلي‌ خودروي‌ آن‌ از پنجاه‌ متر مكعب‌ در هكتار تجاوز نكند.
پ‌ - حداقل‌ در هر هكتار آن‌ يك‌ صد عدد درخت‌ بارده‌ و مجموعا دويست‌ عدد درخت‌ بارده‌ ياجوان‌ دست‌ كاشت‌ ميوه‌اي‌ و يا يك‌ هزار بوته‌ چاي‌ وجود داشته‌ باشد.
ت‌ - حداقل‌ نه‌ دهم‌ سطح‌ آن‌ از كنده‌ و ريشه‌ درختان‌ جنگلي‌ پاك‌ شده‌ باشد.

12ـ طرح‌ جنگلداري‌ - طرح‌ جنگلداري‌ طرحي‌ است‌ كه‌ در آن‌ مقدار و محل‌ و موقع‌ برداشت‌ ومدت‌ اجرا و نحوه‌ بهره‌برداري‌ و عمليات‌ احيايي‌ و عمراني‌ كه‌ در داخل‌ جنگل‌ يا جنگل‌هاي‌مربوطه‌ بايد به‌ عمل‌ آيد درج‌ شده‌ و به‌ تصويب‌ سازمان‌ جنگلباني‌ ايران‌ رسيده‌ باشد.

13ـ مصارف‌ روستايي‌ - مصارف‌ روستايي‌ عبارت‌ از مصارف‌ چوبي‌ و سوختني‌ است‌ كه‌ موردنياز فردي‌ يا دسته‌جمعي‌ ساكنين‌ دهكده‌هاي‌ مجاور جنگل‌ و جنگل‌نشينان‌ باشد از قبيل‌ مصارف‌ساختمان‌هاي‌ مسكوني‌، مساجد، درمانگاه‌ها، مدارس‌، انبار، اصطبل‌، سدهاي‌ چوبي‌، پل‌، آبدنگ‌،پادنگ‌، تلمبار، پايه‌ براي‌ محصور كردن‌ مزارع‌ و باغات‌ و محوطه‌ها و امثال‌ آنها.

14ـ دهكده‌ مجاور جنگل‌ - دهكده‌اي‌ است‌ كه‌ اراضي‌ آن‌ حداقل‌ از يك‌ طرف‌ به‌ جنگل‌ متصل‌باشد.

15ـ گرده‌ بينه‌ يا گرد بينه‌ - قسمتي‌ از تنه‌ درخت‌ است‌ كه‌ تقريب استوانه‌اي‌ شكل‌ بوده‌ و از آن‌انواع‌ چوب‌ يا روكش‌ تهيه‌ مي‌شود.

 16ـ استر ( - مقدار هيزمي‌ است‌ كه‌ يك‌ متر مكعب‌ فضا را اشغال‌ نمايد و هر استرمعادل‌ شش‌ دهم‌ متر مكعب‌ چوب‌ مي‌شود.

17ـ درختان‌ جنگلي‌ ايران‌ از نظر اجراي‌ اين‌ قانون‌ به‌ شرح‌ زير دسته‌بندي‌ مي‌شوند:

دسته‌ اول‌ - زربين‌، ارس‌، شمشاد، سرخ‌دار، گردو، آزاد.

دسته‌ دوم‌ - راش‌، بلوط، زبان‌ گنجشك‌، ملچ‌، افرا، شيردار، الو كك‌، توسكا، نمدار.
دسته‌ سوم‌ - اوجا، سفيد پلت‌، كلهو، ممرز، و ساير گونه‌ها.

18ـ مناطق‌ جنگلي‌ - مناطقي‌ است‌ كه‌ در آنها جنگل‌ يا بيشه‌ يا اراضي‌ جنگلي‌ يا بوته‌زارهاي‌جنگلي‌ طبيعي‌ بطور انبوه‌ يا پراكنده‌ وجود داشته‌ باشد.

19ـ شاخه‌ قطور - شاخه‌اي‌ است‌ كه‌ قطر آن‌ در محل‌ انشعاب‌ بيش‌ از پنج‌ سانتيمتر باشد.

20ـ ضريب‌ بهره‌ مالكانه‌ - ميزان‌ درصدي‌ است‌ كه‌ از بهاي‌ متوسط عمده‌ فروشي‌ ساليانه‌ يك‌متر مكعب‌ چوب‌ الواري‌ به‌ ابعاد مختلف‌ در بازار تهران‌ ضريب‌ بهره‌ مالكانه‌ يك‌ متر مكعب‌ درخت‌از همان‌ جنس‌ است‌.

21ـ طرح‌ مرتعداري‌ - عبارت‌ از طرحي‌ است‌ كه‌ به‌ منظور بهره‌برداري‌ از مرتع‌ مورد تصويب‌وزارت‌ منابع‌ طبيعي‌ واقع‌ شود.

22ـ واحد دامي‌ - عبارت‌ از يك‌ رأس‌ گوسفند است‌. بز و ساير دام‌ها هر كدام‌ معادل‌ چهارواحد دامي‌ محسوب‌ مي‌شوند.

23ـ ظرفيت‌ چرا - عبارت‌ از تعداد واحد دامي‌ است‌ كه‌ طبق‌ برآورد وزارت‌ منابع‌ طبيعي‌ دريك‌ فصل‌ چرا در يك‌ هكتار مرتع‌ موضوع‌ پروانه‌ چرا يا طرح‌ مرتعداري‌ مي‌تواند چرا نمايد.

 

+ نوشته شده در  یکشنبه 14 مرداد1386ساعت 3:52 بعد از ظهر  توسط  اسدي  | 

علوم جنگل

 

 پراكندگي جنگلها و مراتع كشور در سال 1380

استان
جنگل

مراتع

مساحت

(هزار هكتار)

زيستجرم در واحد سطح  (تن در هكتار)

مساحت

(هزار هكتار)

زيستجرم

(هزار تن)

وزن علوفه خشك قابل برداشت (تن در هكتار)

آذربايجان شرقي

144

15

4/2274

8/1407

619/0

آذربايجان غربي

174

14

6/2516

1/1436

571/0

اردبيل

20

ــــ

1/1234

3/560

454/0

اصفهان

100

3

3/6546

9/1093

167/0

ايلام

500

12

9/1201

5/425

354/0

بوشهر

330

2

1600

4/207

130/0

تهران

9/28

2

925

5/175

190/0

چهارمحال و بختياري

307

12

1093

6/182

167/0

خراسان

1130

2

12500

6/2010

161/0

خوزستان

450

3

3/3874

8/524

135/0

زنجان

10

5/2

2/1076

5/324

301/0

سمنان

225

9

5500

1/1147

209/0

سيستان و بلوچستان

1000

3

11800

1/1241

105/0

فارس

1200

5/3

8500

7/3368

396/0

قزوين

(1)

ــــ

950

2/319

336/0

قم

(1)

ــــ

870

2/92

106/0

كردستان

300

5

4/1934

9/992

513/0

كرمان

780

2

3/8868

7/939

106/0

كرمانشاه

820

8

4/736

3/622

845/0

كهگيلويه و بويراحمد

1/997

8

3/724

1/1030

422/1

گلستان

3/379

93

7/1331

1/351

264/0

گيلان

1/550

135

2/467

4/207

444/0

لرستان

880

6

1/1261

0/578

458/0

مازندران (ساري)

8/643

109

6/908

8/524

578/0

مازندران (نوشهر)

4/320

103

7/296

8/141

478/0

مركزي

2/0

5/0

1980

9/531

269/0

هرمزگان

1100

5/1

3800

1/452

119/0

همدان

2/0

2

5/1351

7/228

169/0

يزد

10

2/0

3878

9/281

073/0

جمع

12400

ـــ

90000

21400

ـــ

متوسط در كشور

ـــ

4/21

ـــ

ـــ

238/0

+ نوشته شده در  یکشنبه 14 مرداد1386ساعت 3:39 بعد از ظهر  توسط  اسدي  | 

چوبشناسی

چوب، از نظر گیاه‌شناسی، بخش جامد و سخت زیر پوست ساقه درخت یا دیگر گیاهان چوبی است که به شکل بافت آوندی وجود دارد.

گرچه در باور عموم چوب تنها در درخت و بوته یافت می‌شود، از نظر علمی‌در همه گیاهان آوندی وجود دارد. در چوب مجراهای زیر قابل مشاهده است:

  1. بافت چوبی یا مجراهای چوبی، که شیره خام، آب و نمک‌های معدنی محلول را از ریشه به برگ‌ها و غنچه‌های هوایی می‌برد.
  2. آوند آبکشی یا مجراهای لیبر، که غذای آماده برای برگ‌ها (شیره تولیدی) به شکل محلول از طریق آنها برای تغذیه بقیه گیاه به گردش در می‌آید.

مجراهای چوبی بوسیله سلولهای مرده و دیواره‌های چوبی شده بوجود می‌آیند. در هر دو حال پروتوپلاسم سلولی پدیدار می‌گردد و دیوارها بوسیله ته‌نشین شدن ماده لیگنین (که سختی چوب از آن است) افزایش می‌یابند.

سطوح تار و آوندی در نخستین سال رشد خود را در فاصله‌ای معین در بافت میان آوندهای چوبی و آبکشی قرار می‌دهند، این لایه کامبیوم نامیده می‌شود. کامبیوم به دو بخش درونی (آوند چوبی) و بیرونی (آوند آبکشی) تقسیم می‌شود. همچنانکه سلولهای پیر با رشد پیوسته تنه فرو می‌ریزند، لایه‌های تازه آوند آبکشی کار خود را انجام می‌دهند.

چوب بی گمان یکی از بهترین و سودمندترین مواد خام طبیعت است و بی آن بشر هرگز به سطح پیشرفت و رفاه کنونی نمی‌رسید.

چوب ابتدا، ماده‌ای حیاتی برای ساخت ابزارهای اولیه، خانه و قایق برای حرکت در رودها بود. سپس، برای ساخت اکثر اشیا و ابزارهای سودمندی که انسان قرنها برای پیشرفت زندگی خود به آنها متکی بود، به کار رفت. بخشی از تکنولوژی چوب بر اثر تلاش صنعتگران باقی مانده، ولی بیشتر آن ناچار از بین رفته و با مواد و روشهای دیگر که نتیجه انقلاب صنعتی بشر است، جایگزین شده است.

چوب تنها منبع طبیعی تجدیدپذیر است. نفت و زغال و دیگر معادن سرانجام روزی تمام خواهد شد، ولی جنگلی که خوب نگهداری شود (حتی گاه بدون نگهداری) بطور نامحدود به تولید چوب ادامه خواهد داد. چوب جایگاه برجسته‌ای در اقتصاد جهانی دارد. تولید سالانه چوب در جهان ۲۵۰۰ میلیون متر مکعب است. خواص فیزیکی و شیمیایی و نیز مکانیکی چوب آن را فعلاْ بی جانشین کرده است.

 

چوب: چوب یکی از قدیمی ترین و ابتدایی ترین مصالح ساختمانی موجود در طبیعت است که بشر در طول تاریخ از آن بهره برده است. چوب تنها مصالح ساختمانی است که از منبع قابل تجدید بدست می آید و از مصالح خوبی برای مناطق زلزله خیز می باشد. از جمله مهمترین کاربرد های چوب، می توان به موارد زیر اشاره کرد :

استفاده از چوب برای اعضای باربر استفاده از چوب برای نماسازی و تزئین استفاده از چوب برای کارهای کمکی در ساخت و ساز، مانند قالب سازی، چوب بست و ...

نکته قابل توجه این است که در تعیین مشخصه های مکانیکی چوبها باید مواردی همچون ناهماهنگی چوب، مقدار رطوبت، نوع چوب، محل رویش، پهنی دایره سالانه، درجه حرارت، تعداد گره های روی چوب، شرایط نمونه گیری، شرایط لحظه ای آزمایش و دستورالعمل آزمایشی را در نظر گرفت. مقدمه: مقاومت چوب به صورت مستقیم به ناهماهنگی خواص آن بستگی دارد. مقاومت کششی چوب در جهت عمود بر الیاف کمتر از آن در جهت الیاف می باشد. معمولاً چوب را به ندرت در جهت عمود بر الیاف تحت بار کششی قرار می دهند. درباره مقاومت فشاری چوب، این مقاومت در امتداد تارها افزایش می یابد و هر چه چوب فشرده تر گردد، مقاومت آن افزایش می یابد. بیشترین مقاومت چوب در حالت متراکم و زمانی که حجمی حدود 3/1 حجم اولیه را داراست، به وجود می آید. گاهی اوقات در حالت متراکم چوب، می توانیم به 10 برابر مقاومت فشاری در جهت عمود بر الیاف برسیم. مقاومت چوب در جهت مایل بر الیاف تقریباً برآیندی از مقاومت آن در دو جهت عمود بر هم است. جهت تاثیر نیرو در مقایسه با جهت الیاف سه حالت دارد: نیرو در جهت الیاف ( در امتداد محور درخت ) نیرو در جهت عمود بر الیاف نیرو در جهتی که با جهت الیاف، ایجاد زاویه کند. وسایل مورد نیاز جهت آزمایش: کولیس متر نواری سه عدد چوب با ابعاد گوناگون ترازو گرمچال دستگاه اندازه گیری مقاومت فشاری دستگاه اندازه گیری مقاومت خمشی شرح روش آزمایش: در ابتدا ابعاد سه قطعه چوب (نمونه های آزمایش که باید فاقد ترک باشند) را توسط متر و کولیس اندازه گیری می کنیم. از متر برای اندازه گیری ابعادی که نمی توانیم با کولیس اندازه گیری کنیم، استفاده می کنیم. نتایج این مرحله از آزمایش به صورت زیر می باشد: نمونه 1 (کوچک) : مقطع : mm54.1 57 mm * ارتفاع : 153 mm نمونه 2 (متوسط) : مقطع : 57 mm 57 mm * ارتفاع : 204 mm نمونه 3 (بزرگ) : مقطع : 54.2 mm * 56 mm ارتفاع : 652 mm در این قسمت از چوب های نمونه 1 و 2 برای آزمایش مقاومت فشاری استفاده می کنیم. ( باید دقت کنیم نمونه، بدون هر گونه ترک باشد. )

الف- آزمایش فشار در جهت موازی با الیاف: نمونه 2 را در امتداد الیاف تحت تست فشاری قرار می دهیم. نکته ای که وجود دارد این است که اگر نمونه چوب ما سالم باشد، باید با زاویه 45 درجه در آن گسستگی رخ بدهد و هیچ گونه جدا شدگی نباید اتفاق بیافتد. نمونه مورد آزمایش ما، نیروی 115.6 KN را تحمل کرد. نمونه مورد آزمایش پس از بارگزاری دچار جدا شدگی شده و در نتیجه نمونه ما ناسالم بوده و از این آزمایش رد می شود.

ب- آزمایش فشار در جهت عمود بر الیاف: چوب نمونه 1 را در جهت عمود بر امتداد الیاف در دستگاه سنجش مقاومت قرار می دهیم. باید دقت کنیم تا نمونه فاقد هر گونه ترک یا جدا شدگی باشد. به تدریج فشار را افزایش می دهیم و سرعت افزایش فشار را در نظر می گیریم. روند افزایش فشار تا فشار 82 KN به طور تقریبی ثابت می ماند ولی بعد از این فشار، سرعت افزایش بار وارده بر چوی کم شده و عملاً چوب مورد آزمایش ما از نقطه تسلیم خود عبور کرده است. چوب در این حالت همزمان با افزایش فشار، دچار لهیدگی می شود و در حقیقت از 82 KN به بعد در اثر ایجاد لهیدگی، شاهد بار کاذب در دستگاه هستیم. در عمل در هنگام کاربرد چوب به عنوان مصالح ساختمانی، بار وارده نباید ار بار مجاز که خود درصدی از حد جاری شدن می باشد بیشتر شود (نوعی ضریب اطمینان داریم). در این آزمایش جداشدگی ایجاد شده در نمونه، در جهت گره هایی است که قبلاً در داخل چوب وجود داشته است. یکی از معایب چوب، گره های موجود در آن است. زیرا باعث به هم خوردگی و حتی انحراف در شیب الیاف می شوند که نتیجه آن کاهش مقاومت چوب است. نحوه توزیع و میزان و اندازه این گره ها در هر دو جهت درازا و پهنای مقطع چوب اهمیت دارد. سایر جدا شدگی ها در اثر محل و نحوه عمل آوری چوب، جنس چوب و اینکه از چه درختی است، می باشند.

ج- آزمایش مقاومت خمشی چوب: چوب سوم با ابعاد استاندارد را در داخل دستگاه مربوطه قرار می دهیم. حال شروع به وارد کردن نیرو به چوب می کنیم. حال اگر نمونه چوب ما سالم باشد باید از وسط چوب یعنی محل اثر سومین تکیه گاه دستگاه به صورت عمود بر جهت الیاف شکسته شود و باید بین الیاف چوب فاصله ای نباشد. با افزایش نیرو چوب مورد آزمایش تا 10.5 KN را تحمل می کند اما بعد از آن شروع به شکستگی می کند. در این حالت شکستگی چوب با جداشدگی الیاف همراه است که این وضعیت از ویژگی های خوب و مطلوب برای چوب نیست. اگر نمونه ما سالم بود می بایست از وسط و به صورت عمودی و متقارن می شکست و عدد بدست آمده برای آن حدود 20 KN می شد. در نتیجه نمونه ما از آزمایش مقاومت خمشی رد شد.

د- آزمایش تعیین درصد رطوبت چوب: وقتی که چوب خشک باشد، از محیط اطراف رطوبت جذب می کند و چنانچه تر باشد، در محیط خشک از خود رطوبت دفع می کند. رطوبت چوب درختان زنده بین 30 تا 90 درصد متغیر می باشد. روش انجام آزمایش به این صورت است که ابتدا چوب ها را وزن می کنیم و مقادیر بدست آمده را ثبت می کنیم. W1 = 225.2 gr W2 = 172.7 gr حال آنها را در داخل گرمچال در دمای 80 درجه سانتی گراد قرار داده و بعد از 24 و 48 ساعت، مجدد آنها را وزن می کنیم. لازم به ذکر است که درصد رطوبت استاندارد برای آزمایشهای چوب 12% می باشد. وزن نمونه ها بعد از 24 ساعت: W1 = 212.3 gr W2 = 161.2 gr وزن نمونه ها بعد از 48 ساعت: W1 = 208.9 gr W2 = 158.6 gr

حال درصد رطوبت را از رابطه مقابل بدست می آوریم: u = 100 * (M-m) / m u : درصد رطوبت M : جرم چوب مرطوب m : جرم چوب خشک درصد های رطوبت بدست آمده به قرار زیر است: برای 24 ساعت : u1 = 6.07 % u2 = 7.13 % برای 48 ساعت: u1 = 7.80 % u2 = 8.89 % در نتیجه نمونه های ما، چوب هایی خشک بودند.

 

+ نوشته شده در  پنجشنبه 5 بهمن1385ساعت 4:21 بعد از ظهر  توسط  اسدي  | 

چوبشناسی

توسکا: Alnus

 

دو گونه توسکاي قشلاقي و ييلاقي به نام هاي علمي Subcordate Alnus و Glutionose Alnuse در ايران وجود دارد. نام هاي محلي توسکا، تسکا و توسه است.
 
چوب درون نامشخص، رنگ کرم مايل به قرمز، دواير ساليانه پهن با حدود نسبتا مشخص و موجدار در مقطع عرضي و پره چوبي آجري شکل قرمز رنگ در مقطع شعاعي و دوک هاي ظريف (پره ها) در مقطع مماسي از خصوصيات ظاهري چوب است. چوبي نيمه سنگين تا سبک است که به دليل پرداخت و رنگ پذيري شکاف خوري و ابزار خوري خوب در صنعت مبلمان مصرف دارد ولي کم دوام بوده که البته در آب دوام قابل توجهي دارد. بيشترين ميزان فروش را در بازار چوب فروشان پس از راش را داراست که البته در حال حاضر مهمترين مورد مصرف آن طبق آمار موجود در کارخانجات تخته لايه سازي آن در برابر آب در ساختن بناهاي آبي نيز مصرف ميشود. قيمت چوب توسکا به صورت الواري در سال بوده است.

 

راش Brich

 

نام علمي اين چوب Fagus orientalis نام فارسي و بومي راش  و مرس و نام انگليسي آن Beech است. از خواص ظاهري چوب راش درون نامشخص و به رنگ کرم مايل به قرمز است.
دواير ساليانه فشرده و در نتيجه در مقاطع طولي داراي خطوط کم و بيش مشخص ناشي از آن است. از بارزترين خصوصيات شايد بتوان به پره هاي چوبي در مقاطع طولي اشاره کرده که در مقطع شعاعي به پرمگس و در مقطع مماسي به دوک معروفند و اين پره ها به صورت لکه هاي قرمز ديده ميشود. چه بسا گاهي اين پرمگس هاي زيبا عيب محصوب ميشوند چرا که به عقيده نجاران اين بخشهاي چوب پس از رنگ کاري سياه ميشوند. گونه راش چوبي نيمه سنگين و داراي بافتي همگن و تقريبا مقاوم در برابر حشرات و قارچهاست. گرده بينه هاي درجه 1 و 2 راش در ايران بيشتر به مصرف کارخانجات روکش و تخته لايه مي رسد و گرده بينه هاي درجه 3 پس از تبديل به الوار به بازار تهران (پل چوبي) روانه مي شوند. بنا به اطلاعات بازار ميزان تفاوت قيمت آن در 6 ماهه نخست در بازار تهران بوده است. به دليل بافت همگن و  درجه سختي مناسب اين چوب بيشترين تقاضا را براي خريد به منظور تهيه مبل در بازار دارد. همچنين به دليل قابليت آغشتگي با انواع محلولهاي حفاظتي بيشترين گونه مصرفي در کارخانه هاي اشباع است. البته اخيرا گونه هاي خارجي راش از طريق آذربايجان وارد ايران شده است که بنا به ادعاي مبل سازان و فرشندگان چوب کيفيت چوب راش ايراني را ندارد ولي به دليل ابعاد و رطوبت مناسب تخته ها ميزان ضايعات کمتري، در امر فرآيند توليد دارد.

 

ملچ

 

چوبي به رنگ قهواي مايل به قرمز است و گاهي اوقات رگه هاي سبز رنگي در آن ديده ميشود. چوبي درشت بافت، نيمه سخت و نيمه سنگين، نسبتا بادوام و در برابر ضربه بادوام و نسبت خمش مقاوم است. از اين چوب بيشتر در ساختمانهاي چوبي، ساخت مبلمان، روكش، قايق سازي، وسايل ورزشي، در و پنجيره و تخته لائي استفاده مي شود .

 

افرا (شير دار) Maple

 

اين خانواده داراي گونه هاي مختلفي در ايران است از جمله ميتوان افرا پلت، افرا شيردار و کيکم را نام برد. بزرگترين و فراوان ترين افراي ايران اپلت با نام علمي insigne Bosso و نام انگليسي Maple است.
اين گونه چوب درون نامشخص، چوب سفيد مايل به کرم با درخشندگي کم و بيش صدفي دارد. دواير ساليانه به دليل فشردگي چوب تابستانه در مقطع عرضي کاملا مشخص و در مقطع مماسي نقوش مواج و در مقطع عرضي نقوش رگه اي مانند ايجاد کرده است که پره هاي چوبي ظريف و قهوه اي رنگ و براق در دو مقطع مختلف طولي به صورت لکه ها و دوک ها نمايان است. چوبي نيمه سنگين با پرداخت آسان و هم کشيدگي کم باعث شده تا در صنعت مبلمان و روکش گيري جايگاه ويژه اي داشته باشد.

 

گردو

 

چوبي ريز بافت، به رنگ خاكستري مايل به قهواي تيره و داراي نقوش زيبا و نسبتاً با دوام است. اين چوب نيمه سنگين و نيمه سخت و در مقابل فشار، خمش و كشش مقاوم است. از اين چوب بيشتر در كارهاي هنري و تزييني، تهيه روكش، خراطي ساخت مبلمان، ساخت الات موسيقي، قنداق تفنگ، مجسمه سازي، منبت كاري و معرق كاري استفاده مي شود.

 

چنار

 

چوبي به رنگ سفيد روشن تا قرمز مايل به قهوه اي است كه لكه هاي قهوه اي صدفي دارد . چوبي است نيمه سخت وسنگين و با دوام كه از آن براي ساخت دربهاي اماكن متبركه، دسته ابزار، صندلي، غربال، صندوق استفاده مي شود.

 

بلوط

 

چوبي به رنگ قهوه اي روشن تا تيره، درشت بافت و با دوام است. اين چوب نسبتاً نيمه سخت و نيمه سنگين تا سنگين است و در برابر سايش مقاومت زيادي دارد و بهترين چوب براي پاركت، ساخت مبلمان تهيه روكش، تراورس را آهن، مدل سازي است.

 

تبريزي

 

 اين چوب به رنگ سفيد تا كرم روشن است و اغلب لكه هاي سياه رنگ و يا قهوه اي دارد. چوبي است نسبتاً نرم، سبك كه دوام زيادي ندارد و كار با آن آسان است. براي ساخت كاغذ سازي، كبريت سازي، جعبه سازي، ادوات كشاورزي از آن استفاده مي شود.

 

ممرز

 

چوبي ريز بافت به رنگ سفيد تا سفيد مايل به كرم و سخت و نيمه سنگين است . اين چوب در مقابل ضربه و سايش مقاومت دارد و در كاغذ سازي، تخته خرده چوب سازي، تخته فيبر، واگن سازي، دسته ابزار، چوبهاي تونلي از آن استفاده مي شود.

 

كاج ايراني

 

واژه چوب روسي در بازار چوب ايران به هر نوع چوب سفيد رنگ وارداتي از روسيه تلقي ميشود و کاربرد آن هم چندان تفاوتي نمي کند در حاليکه اين چوب سفيد خود شامل گونه هاي کاملا متفاوت چون نراد، نوئل و انواع کاجها مي شوند.
همچنانکه گفته شد يکي از گونه هاي چوبي که به چوب روسي معروف است Abies يا نراد است که نام رايج آن در دنيا Fir و Sapen است.
اين چوب فاقد درون چوب مشخص و به رنگ سفيد مايل به قرمز، فاقد مجاري صمغي، راست تار، سبک، واکشيدگي و همکشيدگي کم، قابليت ترک خوردن کم هنگام خشک شدن، بسيار خوش کار، سنباده خوري خوب، ميخ خوري و پيچ خوري عالي هستند ولي با وجود تمام مزايا به راحتي در مقابل قارچها دچار مرض لکه آبي يا لکه قرمز ميشوند از استحکام آن مي کاهد. حشرات نيز علاقه زيادي به لانه گزيني و تخم گذاري در آن دارند و بايد  توجه داشت که چوبها  داراي رگه قرمز به هنگام خشک شدن کاملا تاب بر مي دارند.
اين چوب به علت سبکي و ضريب الاستيته بالا از بهترين چوبها براي اسکلت ساختمان هاست. الياف بلند و خمير سفيد آن در کاغذسازي مصرف فراوان دارد. در ايران اين چوب غالبا در صنايع مبلمان استفاده مي شود.

 

نراد

 

چوبي به رنگ سفيد تا سفيد مايل به كرم تا قهوه اي مايل به صورتي است، راست تار و داراي نقوش زيبايي است. چوبي است سبك، نرم و كم دوام كه كار با آن آسان است و در كارهاي ساختماني، قفسه سازي، بسته بندي از آن استفاده مي شود.

 

یا ماهاگونی آکاژو

 

آکاژوها به دو دسته آکاژوي آمريکايي و آفريقايي تقسيم ميشوند که اغلب آکاژوي آفريقايي در بازار ايران يافت ميشود. نام علمي اين گونه Khaya inveeonsis و از خانواده Miliacea است. نام هاي محلي متفاوتي در کشورهاي مختلف آفريقا دارد. درون چوب قرمز رنگ و برون چوب نازک سفيد مايل به صورتي رنگ دارد. بافت يکدست و وجود پرمگسهاي درخشان و براق که با تغيير جهت نور درخشش متفاوتي دارند از ويژگيهاي شاخص اين چوب است. در مقطع شعاعي نقوش نواري صدفي و در مقاطع مماسي نقوشي متنوع چون موجي، مجعد، جناغي دارد. يکي از پرمصرف ترين چوب هاي دنيا براي تهيه روکش هاي قيمتي است. به دليل همکشيدگي و واکشيدگي کم در هنگام خشک شدن کمتر دچار عيب مي شود. ضربه پذيري خوب، پرداخت عالي، پيچ خوري و ميخ خوري بالا از خصوصيات بارز اين چوب است ولي رنگ پذيري و واکس خوري بايد همراه با بتونه کاري انجام شود. در تهيه روکش و مبلسازي بيشترين مصرف را داراست. به دليل ضربه پذيري و ضريب الاستيسيته بالا در تهيه قايق هاي بادباني و تفريحي مناسب است.لازم به ذکر است که چوبهاي ديگري نيز تحت عنوان آکاژو در بازار ديده ميشوند که اسامي واقعي آنها سيپو، کيسپو و ساپلي است.

 

(آكومه( گابون

 

چوبي است به رنگ صورتي كم رنگ تا پر رنگ، سبك، نرم، ريزبافت و كم دوام كه به خوبي ورقه ورقه مي شود. براي تهيه كاغذ سازي، قايقهاي سبك، و غيره از آن استفاده مي شود.

 

(ساج( تيك

 

چوبي است به رنگ قهوه اي طلايي تا قهوه اي پنج پر رنگ با خطهاي سياه كه بسيار سنگين و با دوام است. اين چوب در صنعت كشتي سازي، صنايع ظريف به خصوص خاتم كاري، ساخت ابزار آزمايشگاهي، روكش گيري، قسمتهاي بيروني و داخلي ساختمان موارد مصرف دارد.

 

چوب آبنوس

 

آبنوس درخت سياه رنگي است يا چگالي نسبتاً بالا و بسيار خوش بو. تنه داخلي چوب به رنگهاي مختلف زرد سفيد تا قهوه اي و سياه ديده مي شود و انواع مختلف چوب ابنوس : ابنوس سياه، آبنوس مرمري يا مرمري آندامان، آبنوس كاكي . آبنوس به دليل سختي و استهكام بالا در اخت وسايلي نظير انواع مبلمان، ميز و صندلي ، پيانو مورد استفاده قرار مي گيرد.

 

چوب افراي سياه

 

براي ساخت لوازمي هم چون خط كش و دكوراسيون بزرگ استفاده مي شود.

 

چوب بالسا _ والسا

 

سبك ترين چوب تجاري است داراي سفتي و قابليت فرم دهي فراواني است. و به رنگهاي سفيد تا زرد روشن و قهوه اي ملايم ديده مي شود. از چوب بالسا در ساخت قطعات صنعتي ظريف مانند: ديوار سازي داخل هوا پيما، در ساخت ماكت ها ، و آثار هنري استفاده مي شود.

 

زبان گنجشك (ون)

 

چوبي است داراي مقاومت و سختي مناسب و داراي قابليت فرم پذيري مناسب. رنگ اين چوب عموماً زرد ملايم است كه براي ساخت كه براي ساخت قطعات چوبي مانند قاب و فرم تابلو ها، عصا، راكت تنيس استفاده مي شود.

 

چوب شمشاد

 

چوب شمشاد به دليل تراكم بالاي آوند ها و ليفهاي آن داراي چگالي بالا مي باشد. از اين چوب در كارهايي استفاده مانند خاتم كاري و و منبت كاري استفاده مي شود.

 

چوب لاله درختي

 

چوبي با بافتهاي نزديك و متراكم و به رنگ زرد وجود دارد و به دليل كيفيت عالي در ساخت انواع مبلمان قيمتي، ظروف چوبي ، جعبه ها ، اسباب بازي و غيره به كار مي رود.

 

چوب كاج بلسان (BALSAM FIR)

 

چوب كاج بلسان يا چوب نراد كه از خانواده كاج است و به رنگهاي سفيد،قهوه اي، و با رگه هاي صاف و ظريف ديده مي شود و به طور عمده براي خمير كاغذ و جعبه سازي مورد استفاده قرار مي گيرد. اما شيره و صمغ حاصل از اين درخت به عنوان چسب شفاف به كار مي رود و در رنگهاي مختلف روغني از آن استفاده مي شود.

 

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